Watch Woodstock 69 (Full Movie) Friday Line-up video on DTube
Billed as "An Aquarian Exposition: 3 Days of Peace & Music", it was held at Max Yasgur's 600-acre (240 ha; 0.94 sq mi) dairy farm in the Catskills near the hamlet of White Lake in the town of Bethel.[2] Bethel, in Sullivan County, is 43 miles (69 km) southwest of the town of Woodstock, New York, in adjoining Ulster County.
During the sometimes rainy weekend, 32 acts performed outdoors before an audience of more than 400,000 people.[3] It is widely regarded as a pivotal moment in popular music history, as well as the definitive nexus for the larger counterculture generation.[4][5]
Rolling Stone listed it as one of the 50 Moments That Changed the History of Rock and Roll.[6]
The event was captured in the Academy Award winning 1970 documentary movie Woodstock, an accompanying soundtrack album, and Joni Mitchell's song "Woodstock", which commemorated the event and became a major hit for both Crosby, Stills, Nash & Young and Matthews Southern Comfort. In 2017 the festival site was listed on the National Register of Historic Places.[7]
Contents
1 Planning and preparation
1.1 Selection of the venue
1.2 Free festival
2 The festival
2.1 Sound
2.2 Performing artists
2.3 Declined invitations or missed connections
2.4 Media coverage
3 Releases
3.1 Films
3.2 Albums
4 Aftermath
5 Legacy
5.1 Woodstock site today
5.2 Woodstock 40th anniversary
6 In popular culture
7 Gallery
8 See also
9 References
10 Further reading
11 External links
Planning and preparation[edit]
Woodstock was initiated through the efforts of Michael Lang, Artie Kornfeld, Joel Rosenman, and John P. Roberts. Roberts and Rosenman financed the project. Lang had some experience as a promoter, having co-organized a small festival on the East Coast the prior year, the Miami Pop Festival, where an estimated 25,000 people attended the two-day event. Early in 1969, Roberts and Rosenman were New York City entrepreneurs, in the process of building Media Sound, a large audio recording studio complex in Manhattan. Lang and Kornfeld's lawyer, Miles Lourie, who had done legal work on the Media Sound project, suggested that they contact Roberts and Rosenman about financing a similar, but much smaller, studio Kornfeld and Lang hoped to build in Woodstock, New York. Unpersuaded by this Studio-in-the-Woods proposal, Roberts and Rosenman counter-proposed a concert featuring the kind of artists known to frequent the Woodstock area (such as Bob Dylan and The Band). Kornfeld and Lang agreed to the new plan, and Woodstock Ventures was formed in January 1969.[8] The company offices were located in an oddly decorated floor of 47 West 57th Street in Manhattan. Burt Cohen, and his design group, Curtain Call Productions, oversaw the psychedelic transformation of the office.[9]
From the start, there were differences in approach among the four: Roberts was disciplined and knew what was needed for the venture to succeed, while the laid-back Lang saw Woodstock as a new, "relaxed" way of bringing entrepreneurs together.[10] When Lang was unable to find a site for the concert, Roberts and Rosenman, growing increasingly concerned, took to the road and eventually came up with a venue. Similar differences about financial discipline made Roberts and Rosenman wonder whether to pull the plug or to continue pumping money into the project.[10]
In April 1969, newly minted superstars Creedence Clearwater Revival became the first act to sign a contract for the event, agreeing to play for $10,000. The promoters had experienced difficulty landing big-name groups prior to Creedence committing to play. Creedence drummer Doug Clifford later commented, "Once Creedence signed, everyone else jumped in line and all the other big acts came on." Given their 3:00 a.m. start time and omission from the Woodstock film (at Creedence frontman John Fogerty's insistence), Creedence members have expressed bitterness over their experiences at the famed festival.[11]
Woodstock was designed as a profit-making venture, aptly titled "Woodstock Ventures". It famously became a "free concert" only after the event drew hundreds of thousands more people than the organizers had prepared for. Tickets for the three-day event cost $18 in advance and $24 at the gate (equivalent to about $120 and $160 today[12]). Ticket sales were limited to record stores in the greater New York City area, or by mail via a post office box at the Radio City Station Post Office located in Midtown Manhattan. Around 186,000 advance tickets were sold, and the organizers anticipated approximately 200,000 festival-goers would turn up.[13]
Selection of the venue[edit]
The original venue plan was for the festival to take place in Wallkill, New York, possibly near the proposed recording studio site owned by Alexander Tapooz. After local residents quickly shot down that idea, Lang and Kornfeld thought they had found another possible location in Saugerties, New York. But they had misunderstood, as the landowner's attorney made clear, in a brief meeting with Roberts and Rosenman.[8] Growing alarmed at the lack of progress, Roberts and Rosenman took over the search for a venue, and discovered the 300-acre (120 ha) Mills Industrial Park (41°28′39″N 74°21′49″W) in the town of Wallkill, New York, which Woodstock Ventures leased for $10,000 in the Spring of 1969.[1] Town officials were assured that no more than 50,000 would attend. Town residents immediately opposed the project. In early July, the Town Board passed a law requiring a permit for any gathering over 5,000 people. On July 15, 1969, the Wallkill Zoning Board of Appeals officially banned the concert on the basis that the planned portable toilets would not meet town code.[14] Reports of the ban, however, turned out to be a publicity bonanza for the festival.[15]
Max Yasgur's dairy farm in 1968
In his 2007 book Taking Woodstock, Elliot Tiber relates that he offered to host the event on his 15 acres (6.1 ha) motel grounds, and had a permit for such an event. He claims to have introduced the promoters to dairy farmer Max Yasgur.[16] Lang, however, disputes Tiber's account and says that Tiber introduced him to a realtor, who drove him to Yasgur's farm without Tiber. Sam Yasgur, Max's son, agrees with Lang's account.[17] Yasgur's land formed a natural bowl sloping down to Filippini Pond on the land's north side. The stage would be set up at the bottom of the hill with Filippini Pond forming a backdrop. The pond would become a popular skinny dipping destination.
