Then the country is, you know, there will be the more the powerful the country or the more the powerful a unit, they're going to be hoarding themselves and, you know, arming themselves up with all this technology. And then what happens?
So as a creative, and I know we are we are a creative space here, and you know, that these are part of our world, I think it, these are how we make visual interpretations of predictions and consequences and our worries that we have, because it all goes down to again, humanity and us as humans as we evolve in our creative side, because we are a little bit more sensitive than the, as Bobby says, the normies, I love that word. So I think we are a little bit more, we think a little bit more deeper into these things.
Which is why Da Vinci did the drawings that he did, they were not in existence, which is why Jules Verne wrote the books that he did, even though they were not in existence. Because we feel we may, we may not be predictors, we may not be Nostradamus. But we do feel it more strongly, I think, when a change is in the wind, it excites us, because we love to explore as creatives.
We like to take that chance, we love taking the risk. But we also know that there's a wind coming, there's something in the wind, that may not be something that I like. And that worries us also.
And I think that's part of being a creative person. Lord, please. Yeah, I was just thinking, one example is, you know, fission, nuclear fission, as an amazing power source that could solve a lot of problems and has no pollution.
Yeah, it will create radioactive matter. But yeah, and then you have the nuclear bomb also that went hand in hand. So it's kind of, yeah, two sides of the same thing.
