A great portrait painting goes far beyond merely capturing a faithful likeness. The physical process of applying paint with a brush creates a unique dynamic energy, impossible to replicate through any mechanical process. A painter, unlike a photographer, has infinite opportunities to edit what he's observed, whether working from life or from a photo, playing things up or down in order to create something that goes far beyond the surface. I use my reference photos, as a starting point. I alter them significantly in order to achieve a final composition that best conveys my sense of the sitter. Each element in my painting must be in perfect harmony with the overall composition for me to consider it successful.