Of all the king’s knights ‘tis the flower,

Always gay!’

Which accompanied them so far down the few steep stairs, that the prison-keeper had to stop at last for his little daughter to hear the song out, and repeat the Refrain while they were yet in sight. Then the child’s head disappeared, and the prison-keeper’s head disappeared, but the little voice prolonged the strain until the door clashed.

Monsieur Rigaud, finding the listening John Baptist in his way before the echoes had ceased (even the echoes were the weaker for imprisonment, and seemed to lag), reminded him with a push of his foot that he had better resume his own darker place. The little man sat down again upon the pavement with the negligent ease of one who was thoroughly accustomed to pavements; and placing three hunks of coarse bread before himself, and falling to upon a fourth, began contentedly to work his way through them as if to clear them off were a sort of game.

Perhaps he glanced at the Lyons sausage, and perhaps he glanced at the veal in savoury jelly, but they were not there long, to make his mouth water; Monsieur Rigaud soon dispatched them, in spite of the president and tribunal, and proceeded to suck his fingers as clean as he could, and to wipe them on his vine leaves. Then, as he paused in his drink to contemplate his fellow-prisoner, his moustache went up, and his nose came down.

‘How do you find the bread?’

‘A little dry, but I have my old sauce here,’ returned John Baptist, holding up his knife.

‘How sauce?’

‘I can cut my bread so—like a melon. Or so—like an omelette. Or so—like a fried fish. Or so—like Lyons sausage,’ said John Baptist, demonstrating the various cuts on the bread he held, and soberly chewing what he had in his mouth.

‘Here!’ cried Monsieur Rigaud. ‘You may drink. You may finish this.’

It was no great gift, for there was mighty little wine left; but Signor Cavalletto, jumping to his feet, received the bottle gratefully, turned it upside down at his mouth, and smacked his lips.

‘Put the bottle by with the rest,’ said Rigaud.

The little man obeyed his orders, and stood ready to give him a lighted match; for he was now rolling his tobacco into cigarettes by the aid of little squares of paper which had been brought in with it.

‘Here! You may have one.’

‘A thousand thanks, my master!’ John Baptist said in his own language, and with the quick conciliatory manner of his own countrymen.

Monsieur Rigaud arose, lighted a cigarette, put the rest of his stock into a breast-pocket, and stretched himself out at full length upon the bench. Cavalletto sat down on the pavement, holding one of his ankles in each hand, and smoking peacefully. There seemed to be some uncomfortable attraction of Monsieur Rigaud’s eyes to the immediate neighbourhood of that part of the pavement where the thumb had been in the plan. They were so drawn in that direction, that the Italian more than once followed them to and back from the pavement in some surprise.

‘What an infernal hole this is!’ said Monsieur Rigaud, breaking a long pause. ‘Look at the light of day. Day? the light of yesterday week, the light of six months ago, the light of six years ago. So slack and dead!’

It came languishing down a square funnel that blinded a window in the staircase wall, through which the sky was never seen—nor anything else.

‘Cavalletto,’ said Monsieur Rigaud, suddenly withdrawing his gaze from this funnel to which they had both involuntarily turned their eyes, ‘you know me for a gentleman?’

‘Surely, surely!’

‘How long have we been here?’

‘I, eleven weeks, to-morrow night at midnight. You, nine weeks and three days, at five this afternoon.’

‘Have I ever done anything here? Ever touched the broom, or spread the mats, or rolled them up, or found the draughts, or collected the dominoes, or put my hand to any kind of work?’

‘Never!’

‘Have you ever thought of looking to me to do any kind of work?’

John Baptist answered with that peculiar back-handed shake of the right forefinger which is the most expressive negative in the Italian language.

‘No! You knew from the first moment when you saw me here, that I was a gentleman?’

‘ALTRO!’ returned John Baptist, closing his eyes and giving his head a most vehement toss. The word being, according to its Genoese emphasis, a confirmation, a contradiction, an assertion, a denial, a taunt, a compliment, a joke, and fifty other things, became in the present instance, with a significance beyond all power of written expression, our familiar English ‘I believe you!’

‘Haha! You are right!

Journalism 013