Somewhere inside the Reality Drift, there is a world that appears to have been abandoned before it was ever completed.
Roads simply stop.
Staircases climb toward destinations that do not exist.
Buildings stand half-finished—not ruined, not destroyed, but seemingly caught somewhere between an idea and its final form.
Objects change when no one is watching.
Architecture struggles to decide what shape it should take.
Even sound behaves strangely.
And somewhere inside this impossible place, two characters have just looked at each other and experienced something neither of them can explain.
Yolky and Utya.
They should be strangers.
As far as either of them knows, they have never met.
Yet when they finally stand face-to-face, Yolky asks:
"WAIT... why do you look familiar?"
Utya looks back at him.
"Have we met before?"
And Yolky can only ask:
"What are you?"
It is a strange question.
But perhaps it is exactly the right one.
Because this new Reality Drift chapter isn't simply about discovering where Yolky disappeared to.
It is about identity, memory, unfinished possibilities, and what happens when two characters connected by creative history meet somewhere reality itself has not finished deciding what things are supposed to become.
Welcome to the Unfinished Realm.
Yolky Wasn't Erased
To understand this chapter, we need to return to one of the earlier mysteries of the Reality Drift.
Yolky's appearance was already connected to a period when reality had become dangerously unstable.
Characters were disappearing. Signals were being detected from beyond the known realm. The Mixer Shield had been activated during an attempt to stabilize a situation nobody fully understood.
Then Yolky arrived.
His presence became another part of the growing mystery.
But when the Reality Drift eventually began stabilizing, something happened to him.
Yolky faded away.
At the time, we didn't know what that meant.
Had the stabilization erased him?
Had he returned to wherever he came from?
Had the Drift rejected him?
Or had something else happened?
Reality Drift has taught us to be careful with disappearances.
Cocoon disappeared, only for us to later discover that she had awakened somewhere else.
Clown Cat vanished when Shapoklyak scattered the group, only for us to eventually find him floating in the Shattered Sea, where Rica's enormous pirate ship discovered him.
American Idiot was displaced into another realm and eventually encountered QUBY.
Again and again, characters who appear to vanish are not necessarily gone.
Sometimes the Reality Drift has simply moved them somewhere we cannot yet see.
Yolky was no exception.
He wasn't erased.
He was sent somewhere.
But the place where Yolky awakens is unlike the other realms we have encountered.
A World That Was Never Finished
When Yolky awakens, there is no immediate danger.
No pirate ship towers above him.
No enemy is waiting.
No monster emerges from the shadows.
At first glance, the world surrounding him is almost peaceful.
There are old stone pathways.
Buildings.
Trees.
Open countryside.
Beautiful architecture stretches toward the horizon.
Then Yolky begins noticing the details.
A road continues for several meters before simply...
stopping.
There is no collapsed bridge.
No crater.
No evidence that the missing section was destroyed.
The stones just end.
Nearby, a building appears normal until you notice that only part of it physically exists. Beyond the completed stonework, faint glowing construction lines outline walls that were apparently never built.
A staircase climbs upward.
Several steps exist.
Then nothing.
There is no upper floor.
No doorway.
The staircase simply stops in open air.
This distinction is important.
The Unfinished Realm is not a ruined civilization.
Ruins tell us that something once existed and was later destroyed.
This place feels different.
Things here seem to have been left somewhere between possibility and completion.
As though reality began constructing them...
and changed its mind.
Reality Can't Decide
The deeper Yolky ventures into this place, the stranger the problem becomes.
It isn't merely that parts of the realm are missing.
Sometimes the parts that already exist seem uncertain too.
Architecture flickers.
A structure briefly appears one way and then another.
Objects seem capable of becoming slightly different versions of themselves.
The world isn't collapsing.
It is hesitating.
That may be one of the most important distinctions we have encountered in Reality Drift so far.
The Shattered Sea has impossible geography.
QUBY's Realm of Echoes manifests emotion through its environment.
Other places have reacted to the Reality Drift in their own ways.
But the Unfinished Realm appears to contain possibilities that have not fully settled into one form.
Imagine reality as a finished drawing.
Our normal expectation is that the lines have already been chosen.
This building goes here.
This road goes there.
This character looks like this.
This event happened rather than another.
The Unfinished Realm feels like we have somehow stepped inside the sketchbook before the final lines were selected.
Several possibilities may still be present.
Some are physical.
Others exist only as outlines.
And occasionally, the world seems to reconsider what it has already chosen.
Yolky is walking through a reality that may not entirely know what it is yet.
And then the realm begins affecting something much closer to him.
His voice.
When Even Sound Becomes Unfinished
As Yolky explores deeper, his voice begins to change.
His words echo strangely.
But the echo does not sound like an ordinary reflection from a large empty room.
He is outside.
There is no obvious physical reason for his voice to behave this way.
Instead, the distortion appears alongside the increasing instability of the environment.
Structures shift.
Unfinished architecture flickers between possibilities.
And Yolky's words begin sounding as though multiple traces of the same voice are occupying the same moment.
This was an intentional part of the chapter.
The Unfinished Realm isn't merely something Yolky can see.
Reality itself is behaving differently around him.
Sound is no longer entirely stable.
And perhaps that gives us our first clue about what this place really is.
What if the echo isn't simply repeating Yolky's voice?
What if, like the buildings around him, the realm is momentarily struggling to settle on one version?
We don't know.
And for now, neither does Yolky.
But before he has time to understand what is happening to the world around him, something crosses his path.
Something yellow.
Something alive.
Something strangely familiar.
A Duck Walks By
The encounter is deliberately understated.
There is no explosion.
No portal opens.
No dramatic introduction announces that another major character has entered the story.
Yolky is exploring.
Then a small yellow duck passes through the distance.
His name is Utya.
For someone unfamiliar with Utya, this might initially seem like another strange inhabitant of the realm.
For people who recognize him, however, the moment means considerably more.
Utya does not immediately approach Yolky.
He simply passes through.
Almost casually.
And that tells us something interesting before either character says a word.
Utya doesn't appear out of place here.
Yolky does.
Yolky is confused by unfinished roads and impossible architecture.
Utya simply moves through the environment.
Whether that means Utya belongs to this realm, understands it, or has simply been here longer remains unanswered.
But Yolky notices him.
And something about the encounter stays with him.
Eventually, the two meet properly.
That is where this story becomes much stranger.
"Why Do You Look Familiar?"
Their first real encounter happens beside a reflecting pool.
The location matters.
Water has always been useful in mythology and storytelling because reflections occupy a strange space between reality and representation.
A reflection looks like you.
It moves like you.
But it isn't you.
In the Unfinished Realm—a place where reality itself appears uncertain—that distinction becomes especially important.
Yolky looks across the water at Utya.
Utya looks back.
Neither attacks.
Neither runs.
Neither behaves as though they have encountered a complete stranger.
Instead, there is recognition.
Not memory.
Recognition.
Those are different things.
Memory would mean Yolky could say:
"I know you. We met here."
He cannot.
Recognition is more instinctive.
Something about Utya feels known even though Yolky cannot identify any moment when he could possibly have known him.
So Yolky asks:
"WAIT... why do you look familiar?"
Utya's response makes the moment even stranger.
"Have we met before?"
Now we know the feeling is mutual.
Yolky isn't simply projecting familiarity onto a stranger.
Utya feels it too.
Two characters who apparently possess no memory of meeting each other nevertheless react as though something deeper than memory recognizes the person standing across from them.
Then Yolky asks:
"What are you?"
For viewers unfamiliar with the history behind these characters, that question creates a mystery.
For viewers who know the history...
it creates an Easter egg.
So Who Is Yolky?
Outside the Baby Ladyverse, EGG YOLK is a character built around the iconic emotional yolk known through Telegram.
The character was created by Alexander Dolnikov, the artist also associated with Buddy Bear and Prometheus.
But one particular detail about Yolky makes his meeting with Utya especially interesting.
Within the creative history surrounding these characters, Yolky can be understood almost like an early beta expression of what would eventually become Utya.
Not literally Utya in the way we are telling this story.
Not necessarily a younger Utya.
Not a transformation sequence where an egg eventually grows into a duck.
That would be too simple.
The interesting connection is creative lineage.
Before the recognizable duck, there was already something yellow, expressive, emotionally readable and visually connected to the ideas that would eventually become associated with Utya.
Yolky feels almost like an Easter egg hidden inside Utya's creative history.
And once we understood that relationship, there was one obvious question for Reality Drift:
What happens if they meet?
We Are Not Saying Yolky Is Utya
This distinction matters for the Baby Ladyverse.
We are not establishing that Yolky literally becomes Utya.
We are not saying that one character traveled through time and encountered his future self.
We are not rewriting the real creative history of either character into a simplistic transformation story.
Instead, Reality Drift takes the relationship between them and asks a more interesting fictional question:
Could two expressions from different points in an idea's evolution recognize something in each other?
That is why the Unfinished Realm is the perfect place for this meeting.
If Yolky and Utya had encountered each other aboard Rica's pirate ship, the connection would still be fun.
If they met in the Realm of Echoes, it could still work.
But here?
In a reality filled with unfinished architecture, competing possibilities, incomplete structures and things that have not settled into their final forms?
Their meeting becomes part of the world itself.
Yolky isn't simply meeting Utya.
An unfinished possibility is standing across from something connected to what came later.
And neither character understands what that means.
Perhaps the realm does.
Does the Reality Drift Remember?
This creates a larger question about the Reality Drift itself.
Until now, we have often treated it as a phenomenon that moves characters and destabilizes boundaries between realms.
But what if it can perceive connections that the characters cannot?
Why did Yolky end up here?
Why Utya?
Why this realm?
Was it random?
Perhaps.
But Reality Drift has now produced enough strangely meaningful encounters that randomness is becoming harder to assume.
American Idiot arrives in QUBY's peaceful Realm of Echoes.
Clown Cat is thrown into the Shattered Sea and discovered by Rica, a pirate already watching strange phenomena beyond the Dead Horizon.
Yolky disappears during stabilization...
and awakens in a realm defined by things that have not finished becoming what they might eventually be.
Then he meets Utya.
Maybe the Drift isn't simply scattering people.
Maybe it is exposing relationships.
We do not know yet.
But the possibility changes how we interpret every disappearance.
The Realm Is Part of the Mystery
There is another reason we are not rushing to explain the Unfinished Realm.
We don't yet know what it is.
That is intentional.
Perhaps it is a world that was interrupted during its creation.
Perhaps Reality Drift damaged its ability to settle into a stable form.
Perhaps it exists between realities rather than functioning as a conventional realm.
Perhaps abandoned possibilities accumulate here.
Perhaps nothing about it was ever meant to be finished.
Each interpretation would change what Yolky's arrival means.
And there is an even stranger possibility.
What if the unfinished buildings aren't unfinished at all?
What if we are seeing several possible versions of them overlapping?
The glowing outlines could represent structures that exist somewhere else.
The shifting architecture could represent alternate outcomes.
The strange echo in Yolky's voice could be several possibilities briefly occupying the same space.
And if that is true...
what exactly happens when Yolky looks at Utya?
Identity Without Memory
This is where I think the Yolky and Utya storyline can explore something Reality Drift has only touched indirectly before.
What makes someone the same person?
Appearance?
Memory?
History?
Origin?
The way other people recognize them?
Yolky and Utya are clearly separate characters.
They look different.
They speak separately.
They occupy different places.
They possess their own identities.
Yet something connects them.
The Baby Ladyverse does not need to erase their individuality to acknowledge that connection.
In fact, the story becomes more interesting when both things are true simultaneously:
Yolky is Yolky.
Utya is Utya.
And somehow...
something about them remembers the other.
That contradiction belongs perfectly inside Reality Drift.
Why the Reflecting Pool Matters
Their meeting beside the water was chosen for exactly this reason.
The pool gives us a visual language for identity without requiring a character to explain it.
Yolky can look at Utya.
Utya can look at Yolky.
But water can show something else.
A reflection does not have to obey the same certainty as the character standing above it—especially not here.
The possibility that Yolky might see Utya where his own reflection should be, or that Utya might see Yolky beneath himself, communicates the relationship instantly.
No exposition is required.
No character needs access to information they should not possess.
The realm simply shows them something impossible.
Then it takes it away.
That is much closer to how Reality Drift should reveal its mysteries.
Show the evidence.
Let the characters react.
Let the audience theorize.
Explain later—if an explanation ever comes.
An Easter Egg for Those Who Know
One of the things we want the Baby Ladyverse to do is reward people who know the communities and characters entering these stories without requiring that knowledge from everyone else.
The Yolky/Utya encounter is a perfect example.
Someone who has never encountered either character before can watch this episode and understand the immediate story:
Yolky disappeared.
He awakened somewhere strange.
Reality became increasingly unstable.
His voice distorted.
He spotted Utya.
They met.
They inexplicably recognized each other.
Something is wrong.
That's enough.
But someone familiar with the history behind Yolky and Utya sees another layer.
The question—
"Why do you look familiar?"
—becomes much more than dialogue.
And Utya asking—
"Have we met before?"
—becomes the joke hidden inside the mystery.
They haven't.
And yet, creatively speaking, they aren't entirely strangers either.
That is the kind of crossover we want Reality Drift to create.
Not simply:
Character A meets Character B.
But:
Why does Character A meeting Character B matter?
Different Realms, Different Stories
The Baby Ladyverse is becoming larger, but we do not want every realm to feel interchangeable.
QUBY's Realm of Echoes has its own emotional identity.
Rica's Shattered Sea is a world of oceans, pirates, floating islands and the mysterious Dead Horizon.
Cocoon's displacement remains connected to Labubu's realm and its unresolved story.
Shinobi belongs to another developing thread involving Shapoklyak and T.MONK.
Now Yolky and Utya have opened another category entirely.
The Unfinished Realm is about possibility.
Things before completion.
Ideas before final form.
Choices that might have gone differently.
Versions that perhaps never became real anywhere else.
That gives us an enormous amount of territory to explore later.
Because if this realm contains unfinished possibilities...
Yolky may not be the strangest thing here.
And What About Utya?
There is another question we deliberately leave unanswered.
Why is Utya here?
Yolky arrived through circumstances we already understand at least partially. He faded during stabilization and has now been discovered in another realm.
But Utya?
We have not explained his presence.
Was he brought here?
Does he live here?
Has he been exploring the realm?
Does he know more about it than Yolky?
Has he experienced its strange shifting reality before?
And perhaps most importantly:
Did Utya recognize Yolky because of something inherent between them...
or because the Unfinished Realm made him recognize Yolky?
Those are very different possibilities.
We aren't choosing between them yet.
Every Answer Creates Another Question
That principle remains at the heart of Reality Drift.
We wanted to know what happened to Yolky.
Now we know.
Sort of.
He wasn't erased.
Answer.
He was transported to the Unfinished Realm.
New question: why there?
He encounters Utya.
New question: why Utya?
They recognize each other.
New question: how?
The world itself appears to respond to unstable possibilities.
New question: what exactly is this realm?
And suddenly, finding Yolky has created more mysteries than his disappearance ever did.
That is exactly where we want to be.
The Reality Drift Is Becoming Something Bigger
When this story began, the Reality Drift looked like a crisis.
Characters disappeared.
Realities destabilized.
The Mixer Shield became part of something nobody completely understood.
The Glyphbinders had warned that the consequences could extend far beyond the immediate problem.
Then the realms separated.
Characters began appearing in unfamiliar worlds.
And slowly, something became apparent.
The Reality Drift isn't only a disaster.
Narratively, it has become a way of discovering how these worlds connect.
Sometimes the connection is geographic.
Sometimes emotional.
Sometimes mysterious.
And now, with Yolky and Utya, the connection may reach all the way into creative history itself.
That opens an entirely different kind of storytelling.
The Baby Ladyverse can acknowledge where these characters came from without simply copying their histories into the fiction.
Real-world relationships become clues.
Artistic lineage becomes mythology.
Old Easter eggs become mysteries.
And characters can encounter pieces of their own origins without understanding what they are seeing.
So What Did Yolky Actually Find?
A duck?
A stranger?
Someone he somehow knew before he knew him?
A later expression of an idea that existed before either of them understood it?
Or perhaps something even stranger?
For now, Yolky only has one question:
"What are you?"
And Utya does not have the answer.
Maybe nobody does.
Maybe the answer is somewhere inside the unfinished buildings surrounding them.
Maybe it exists in those moments when reality flickers between possibilities.
Maybe it is hidden in the strange echo that follows Yolky's voice.
Maybe the reflecting water understands more than either character standing beside it.
Or perhaps Yolky and Utya are simply the first clue to what this realm actually contains.
We will find out.
Eventually.
Welcome to the Unfinished Realm
Yolky is no longer missing.
But finding him has opened another door.
He has awakened in a world that cannot seem to decide what it wants to become.
His surroundings shift.
His voice echoes through unstable reality.
And waiting somewhere inside that uncertainty is Utya—a character Yolky has apparently never met and yet cannot look at without feeling that he has seen him before.
Utya feels it too.
That is where we leave them.
Two strangers.
Two characters with their own identities.
One unexplained connection.
And an entire realm built around things that have not finished becoming what they might be.
The Reality Drift has given us another answer.
Naturally...
it created several more questions.
🥚 Why was Yolky sent specifically to the Unfinished Realm?
🦆 Why is Utya there?
🌀 Why do they recognize each other?
And perhaps the most important question:
What else is waiting inside a reality filled with unfinished possibilities?
The story continues.
The Reality Drift continues. 🌀
EGG YOLK/Yolky is a character created by artist Alexander Dolnikov, whose work also includes Buddy Bear and Prometheus. The creative relationship between Yolky and Utya inspired the mystery explored in this chapter; within the Baby Ladyverse, Yolky and Utya remain distinct characters whose unexplained connection is part of the ongoing Reality Drift story.
Welcome to the Baby Ladyverse.
