(Humanization Through Technology )
Is it still naive to speak of robot rights the way we discuss human rights? Netflix’s recent release The Electric State (2025) revisits this theme.
Based on the book by musician and designer Simon Stålenhag, the film reimagines 1950s-70s America with a retrofuturistic twist: AIs were developed, gained power, and were ultimately defeated by humans in a devastating planetary war.
Amid this dystopian backdrop, a young woman discovers her supposedly deceased younger brother—alive within the consciousness of a robot!
Here, two burning questions about the Singularity conflict begin to surface:
While The Electric State prioritizes action and road-trip storytelling, it doesn’t shy from exposing the potent allure of virtual universes for human imagination. Much like today’s smartphone dependency, no one in this world can live without their neurocaster—an immersive headset advertised by the megacorp Sentre as enabling "play and work."
The daily practice of living mostly within an alternate reality is vividly depicted in films like The Congress and Ready Player One. As in those works, the problem here isn’t the virtual "state of grace" itself but its exploitation by greedy power-seekers—akin to The Matrix’s Merovingian—who crave dominion over human progress.
In short, the technological paradise AIs could create to unlock human potential risks being corrupted by centralization and tyrannical control—a tragic hallmark of our species.
So much so that in this film, the bots advocate for peaceful coexistence and rights, while humans cling to ancient practices of treating them as objects or slaves.
Unsurprisingly, faced with the bots’ emotional algorithmic superiority, fear of losing control arises—and with it, the vile urge to eradicate the "abnormal" or "weird," who often behave "more human than humans" (to quote the Tyrell Corporation’s motto).
In my view, The Electric State’s most striking transformations occur not in its flat, predictable protagonist or antagonist but in secondary characters:
Frames captured with my phone.
