Published via Ecency

(source: tmdb.org)

These days the audience is accustomed to having someone’s ideology shoved down their throats while watching films and TV shows. This is nothing particularly new, but in the old days pushing various agendas used to be more subtle and arguably more effective. It always helped to make a good film while doing it. One such example can be found in Train in the Snow, a 1976 Yugoslav film directed by Mate Relja, nowadays recognised as the best and arguably the most popular children’s film in the history of Croatian cinema.

The film is based on the novel by Croatian writer Mato Lovrak, partially inspired by real events that took place in the early 1930s. The plot is set in 1935 and begins in Veliko Selo (“Big Village”) where the local schoolteacher (played by Ratko Buljan) encourages his pupils to form a co-operative. Thanks to his natural leadership qualities, Ljuban (played by Slavko Štimac) is elected its chairman despite his poor background. This creates a rivalry with Pero (played by Željko Malčić), the arrogant son of a rich farmer, and both boys compete for the affection of a girl named Draga (played by Gordana Inkret). The co-operative receives an invitation to visit the headquarters of a children’s magazine in Zagreb and the children are able to see the big city for the first time in their lives. Their return is, however, beset with hardship and danger. The teacher falls ill and has to remain in hospital and the train carrying them home gets blocked by a snowdrift. Ljuban takes over the leadership of the pupils and, with the help of a kind-hearted train conductor (played by Edo Peročević), tries to organise his fellow co-operative members and help them through the increasingly unpleasant and potentially fatal ordeal.

Lovrak worked as a schoolteacher in rural areas of today’s Croatia and, as such, was quite familiar with the socioeconomic problems of the local population. Like many intellectuals in the first half of the 20th Century, he saw the solution in a return to traditional forms of social organisation, mainly co-operatives in which impoverished peasants shared their labour and resources. Many decades later those ideas looked similar to the official ideology of Communist Yugoslavia. Train in the Snow, unsurprisingly, promotes the co-operative as well as collectivism, sharing wealth and personal sacrifice. At the same time the film takes a clearly negative view of individualism and in the end all the children who have doubted Ljuban or rejected his ideas, including Pero, see the error of their ways and join the collective.

Despite a relatively small filmography, Mate Relja was an accomplished director. His previous feature film, the 1963 WW2 drama Opasni put, showed his skill with young actors. This skill is evident here, where the cast is almost entirely made up of schoolchildren who, despite their lack of experience, show not only great enthusiasm but also good results in their work, creating memorable characters. The only experienced child actor in the cast is Slavko Štimac, who would play child and adolescent characters in Yugoslav films well into his 30s. His work is complemented by experienced character actors, most notably Edo Peročević who shines in his role. Relja’s script very conveniently divides the film into three segments – the first, set in the village, introduces the characters and also, in a very amusing way, through a mock wedding played by children, introduces the average audience to local customs; the second allows the audience to experience the big city, its wonders and challenges, through the eyes of children who see it for the first time; finally, the segment taking place on the train brings drama and suspense. Relja adds a lot of humour in all three segments. The final ingredient is the soundtrack by Arsen Dedić, a popular singer who was also a prolific film and television music composer. The co-operative anthem, which is performed at various points in the film, is an uplifting and catchy tune which is fondly remembered by viewers who last saw this film many decades ago. The end result is an entertaining and heart-warming film that could be recommended not only to children, but even to adults who care little about politics and ideology.

RATING: 8/10 (+++)