How To: Shoot Fashion Editorials

Generally I just post single images from my archives over the years however I want to try share some of the hard earned wisdom I have gained from putting together hundreds of shoots over the 9 years I have been shooting fashion photography.

The initial motivation for shooting a fashion editorial should always be boiled down to a moodboard or collection of imagery that defines a certain style or aesthetic that you are hoping to achieve. It can be as simple as a 5-6 image moodboard or a full on treatment of how you aim to produce the proposed work.

For the sake of starting out, a moodboard is always good enough. The aim of the moodboard is to convey quickly and easily to model bookers, stylist, grooming team & magazine editors the body of work you are going to be producing.

Working off of a movie, music video works well, also referencing periods of style such as the 60s or 70s. Make sure you know your stuff and that fashion silhouettes & grooming are on point with the theme or period.
A strong creative direction makes the whole project and end result so much better, and also makes it easier to get everyone on board for your shoot.

Getting a commissioning letter will be very important for pulling samples of fashion for your shoot. Get in touch with magazines you want to work with and research Zines that would be likely to publish your story.

Remember that the fashion world work in two seasons Summer Spring & Fall Winter. Usually if its Fall Winter already, you would want to be shooting a Summer Spring editorial, and likewise if its Fall Winter, you would want to be shooting a Summer Spring story.

There are multiple reasons for shooting so far ahead, firstly designers want to sell their most recent collections and they release their new products months in advance of the season coming in. You want to make sure the pieces that you are pulling for editorial are relevant and not out of season when the story itself gets released.

If you are shooting on a submission basis, this will give you the time you need to make sure you get your story placed and so when it does get released its perfectly in time for the season for which you have shot.

Try to set a shooting date, having a date to work towards always helps with hitting your production deadlines in terms of scheduling in the models, stylist, hair stylist, make up artist & location.

If you dont already have a fixed team that you work with or prefer working with, there are plenty of groups on platforms such as Facebook or online communities such as Modelmayhem or purple port where you can easily get people to work with you.

Create castings and put together a solid team, also keep 2nd or 3rd options as people working on a 'free' basis for editorial work can tend to be flakey particularly if you have not worked with them yet.

Create a general selection while you are shooting. I use 5 stars to note which shots I like, so that once the shoot is finished I can quickly see my favourited selection.

Once you have your selection you must refine it down to just one shot per look. Try to keep most of the shots portrait, with the cover shot being landscape as a general rule of thumb, however if the concept demands all landscape orientation go for it.

After initial master adjustments making sure all images are all same or similar in colour & tone using lightroom or capture one, export the file as a tiff into photoshop and get retouching. I generally use software like lightroom and capture one for master adjustments then use photoshop for any point adjustments such as removal of blemishes or objects, reshaping the body, face or architecture.

Send your files as lo-res jpg (under 1mb), hi-res jpg (over 3mb) and some magazines may demand flattened tiff's. You should also provide a txt file with the full team credits and all the fashion credits for each look. You want to make the editors job easy so that when they receive your final set of images they arent going to be pulling their hair out trying to match everything up. They are also much more likely to offer you commissioning letters in future if you make their life easy when it comes to working with you, and is just generally good practice for delivering a well polished final piece.

So you may have got your first story published, but dont rest on your laurels. Move straight onto the next idea you want to shoot, learning how to nail creative direction whilst also learning how to run a smooth production is invaluable, and will one day make you a great director or producer. If your not doing it for any commercial purposes, tackle ideas & styles that you are passionate about, and that you will find challenging.

The more shoots you pull off, the easier the whole ordeal becomes, as you display your ability to produce great work you will start to find brands, freelancers & agencies rallying behind you, wanting to work with you for future up coming projects.