Great Achievement by “BlackMagic Design”

More than 55 Sundance Films, Series and Projects Created Using Blackmagic Design

Blackmagic Design congratulates the many films, episodic series and projects at the 2018 Sundance Film Festival that were shot and completed using Blackmagic Design products.

More than 55 of the films, series and projects selected for Sundance used its digital film cameras, professional editing, grading and audio post production software DaVinci Resolve Studio, Video Assist recorder and monitor, and more. This includes “Yardie,” shot by DP John Conroy with a Blackmagic URSA Mini Pro; “We the Animals,” shot by DP Zak Mulligan with a Blackmagic Micro Cinema Camera; and highly anticipated films such as “Come Sunday,” “Juliet, Naked,” “I Think We’re Alone Now,” “Lizzie,” “A Kid Like Jake,” and many more that were graded and edited with DaVinci Resolve Studio.

Some of the Sundance Projects that Used Blackmagic Design Cameras and Gear:
“306 Hollywood” Composer Troy Herion used Blackmagic MultiDock to run orchestral virtual instruments off SSDs when writing the film’s score;

“BLAZE” Editor Jason Gourson used an UltraStudio Mini Monitor, while DIT Scott McLeslie of Village Studios used a Smart Videohub, Micro Converters, an UltraStudio, and DaVinci Resolve for dailies;

“Hal” DP Adam Michael Becker used DaVinci Resolve for color grading and transcoding, and had camera operators use a Pocket Cinema Camera for select shots with a Battery Converter HDMI to SDI to facilitate on-set monitoring with the SmartView Duo and SmartScope Duo;

“Half the Picture” camera operators used a Video Assist;

“I’m Poppy” DIT Gianennio Salucci used DeckLink 4K Extreme, SmartScope Duo and DaVinci Resolve Studio;

“Paint” DP Sam Chase used a Pocket Cinema Camera for select scenes and pickup shots;

“Search” DP Juan Sebastian Baron used UltraStudio Mini Monitors and UltraStudio Mini Recorders as part of a rig used to film FaceTime sequences, while Script Supervisor Shawn Tira used an UltraStudio SDI to capture screenshots to help match framelines and ensure continuity between scenes;

“We the Animals” DP Zak Mulligan used a Micro Cinema Camera as a crash and insert camera;

“Wildlife” DIT Leonard A. Mazzone used Smart Videohub 12x12 and UltraStudio 4K; and

“Yardie” DP John Conroy used an URSA Mini Pro.