These are exciting technological times we live in, where virtual production, simulcam, and augmented reality is a valuable part of filmmaking.
Video Transcript
Hello! I am the artist known as DEROSNEC, and welcome to my bi-weekly vlog where I talk about making music, art, movies, and more.
Along with the technological advancements in visual effects, motion capture, and animation, there have also been some really exciting sister technologies which are brand new and have been starting to change the way that movies are being made. It鈥檚 a whole new creative world out there thanks to Virtual Production.
There are a lot of things that encompass Virtual Production, but in a nutshell it鈥檚 the act of creating a movie using virtual tools. Thanks to being able to plan ahead and see things like animation and effects in real time, filmmakers are not only making their planning lives and budgets easier to realize, but they鈥檙e able to bring whole new worlds and stronger stories to the screen.
There are some fun pieces of hardware that have been created to be able to achieve this. For example, there鈥檚 a Virtual Camera, which is basically just a little screen which is outfitted with the same little silver reflectors that a motion capture performance suit has, and is used within the same kind of capture volume on a stage. The motion capture cameras in the volume pick up the position and rotation of the camera as it鈥檚 moved, and that movement is reflected on the screen.
This little camera screen is able to simulate different kinds of real world cameras and lens kits, and allows the user to point and shoot within a virtually created scene almost as if he or she was using a real camera in a real room. All of the movements can be recorded and played back almost immediately, which means that the filmmaker can basically shoot the movie before having to spend potentially millions of dollars a day on a full crew on location.
The first major production to use virtual production tools was James Cameron鈥檚 Avatar, where he used a virtual camera to see pre-created elements while he was shooting the actual film. So for example, he could look through the camera and see the green screen that was in front of him replaced with a CG environment that was similar to what his final vision would be. He was also able to see pre-animated elements and replace his actors, who were wearing mocap suits, with their blue-kitty-avatar selves.
This process is called simulcam, and helps the filmmaker compose shots accurately when there is a lot of VFX happening in the scene. In the case of Avatar, it really helped, because the blue creatures were quite a bit taller than the actual actors, so this allowed him to ensure that everything was accurately placed and composed during production. He then took that data with him into post, which helped the VFX artists replace everything with the final assets much more effectively.
This process is now used quite a bit - most notably in Disney鈥檚 recent live action version of the Jungle Book. That entire movie was shot on a blue screen mocap studio stage, using virtual cameras and simulcam technology. They previs鈥檇 the environments and had pre-animated animal models appear on his viewing screen next to the real life little boy actor while he was shooting, which allowed director Jon Favreau to see how big each animal was in relation to the child. Trying to compose a shot with a 8-10 foot computer generated bear and a little boy beautifully could only have been made possible with this technology!
More recently, engineers have been able to take simulcam technology a step further, and make it possible to pre-plan virtually anything.
For example, a virtual location scout session is where a lidar scan of an actual place on earth can be made available in a virtual reality headset and manipulated to your heart鈥檚 content. Production designers can redecorate and DOPs can plan setups with a virtual camera and lights - or even move the sun to see what time of day will look the best! And the coolest part of this is that the environment can be run on a server which can be accessed and interacted with collaboratively from multiple places all over the world. So if your DOP is is London, and your Production Designer is in Los Angeles, you can collaborate with both of them from India and do all the pre-production planning work that鈥檚 needed before the shoot with an insane level of accuracy.
Another tool which I鈥檝e seen in action recently is Augmented Reality apps which can be loaded onto tablets. These apps are preloaded with previs鈥檇 animation or assets, and allows the filmmaker to precompose shots on location, with whatever CG elements they plan on adding in later.
This is just the beginning of what鈥檚 possible. The future is awesome for filmmakers!
What kinds of tools would you like to see be developed to make films? Had you ever heard if virtual production before? Tell me what you learned from today鈥檚 episode in the comments!
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Thumbnail image by Image by FunkyFocus from Pixabay
NOTE: These Thursday Vlog transcripts can also be found published on my website: http://derosnec.com as well as my Steemit and Whaleshares blogs.
