Algunas de las interpretaciones más destacadas incluyen la voz deNat King Cole su versión de 1955 es una de las más populares y melancólicas. También tenemos la interpretación de Frank Sinatra, Incluida en su álbum Where Are You? (1957). Por otro lado Édith Piaf Grabó una versión bilingüe en 1951,Eva Cassidy hizo su interpretación acústica y emotiva es ampliamente aclamada. Y Instrumental (Jazz) por
Cannonball Adderley (con Miles Davis) En el álbum Somethin' Else (1958), considerada por muchos críticos como la versión definitiva de jazz. También
Bill Evans en su trío clásico redefinió el tema con un enfoque interactivo en el álbum Portrait in Jazz (1959). Además
Roger Williams hizo Su versión al piano de 1955 fue un éxito número uno en EE. UU. y es el disco de piano más vendido de la historia.
Esta pieza fue fundamental para estudiantes de jazz debido a su progresión armónica ii-V-I, que recorre tanto tonalidades mayores como menores. Su estructura estándar es AABC (32 compases).
Cabe destacar que mi hijo Adrián al ver el vídeo y la tablatura se interesó por aprender esa pieza y yo me motive a acompañarlo y traerlo con mucho cariño para todos ustedes. Esperando sea de su agrado dicha interpretación y en esta versión la estamos tocando en el tono de Mi menor (Em).
Greetings to the Music Festival community! We are grateful to God for allowing us to participate in Round 3, Week 171, with an instrumental piece titled "Autumn Leaves," which is one of the most important and frequently recorded jazz standards in history. Originally a French song titled "Les feuilles mortes" ("The Dead Leaves"), it was composed in 1945. The music was by the Hungarian-French composer Joseph Kosma, and the original lyrics were written by the poet Jacques Prévert for the film "Les Portes de la nuit" (1946), where it was performed by Yves Montand. The English version was recorded between 1947 and 1949, with American lyricist Johnny Mercer adapting the lyrics and giving it the title "Autumn Leaves." It has been recorded over 1,400 times by musicians of various genres.
Some of the most notable interpretations include Nat King Cole's 1955 version, one of the most popular and melancholic. Frank Sinatra's rendition, included on his album Where Are You? (1957), is another example. Édith Piaf recorded a bilingual version in 1951, and Eva Cassidy's acoustic and emotive interpretation is widely acclaimed. An instrumental (jazz) version by Cannonball Adderley (with Miles Davis) on the album Somethin' Else (1958) is considered by many critics to be the definitive jazz version. Bill Evans, with his classic trio, redefined the song with an interactive approach on the album Portrait in Jazz (1959). Roger Williams' 1955 piano version was a number one hit in the US and is the best-selling piano record of all time.
This piece was fundamental for jazz students due to its ii-V-I harmonic progression, which spans both major and minor keys. Its standard structure is AABC (32 bars).
It's worth noting that my son Adrián, after seeing the video and tablature, became interested in learning this piece, and I was motivated to accompany him and bring it to you all with much love I hope you enjoy this interpretation, and in this version, we're playing it in the key of E minor (Em).
We'll leave the original video here if you'd like to practice. Thank you for reading and visiting my blog.
▶️ 3Speak
