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"Exposed" 2016 Prismacolor pencil on black A3 paper, 297 x 420 mm, (11.7 x 16.5 in)

They call themselves "MACHINES OF THE ISLE OF NANTES" which comes quite natural as this artistic company is based in Nantes, France. They intenteded to bring back to live the industrial background

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This painting was part of a body of work I did for my 2016 solo exhibition "The Muck & The Mire". The themes I was exploring in this show were around primal fears and modern anxieties.

Commissions, fun to do. This is a weird thing for me, being locked down on a commission job, often brings up desires to work on other stuff, and the ideas brew over time. It's not unlike that reverse

The Painting of BOGOMIL'S AVATAR REVISITED acrylic glazes on panel, 40 x 50 cm - roughly 16 x 20 inches - 2018 for all images: right click and select 'open in new tab' to view larger size The charcoal

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Une nouvelle pièce que je viens juste de terminer dans la série des masques que j'ai commencée il y a quelques temps. Celui ci est d'inspiration Africaine et est le produits d'une hybridation entre

Good evening dear Steemies, this is an artwork of an outdoor exhibition in Székesfehérvár, at the Contemporary Art Fest. Made of transparent plastic and can be pushed with hands from both sides. Taken

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Each year we do a sculpture in Duncannon there is an unwritten rule that we will never disclose to the locals what we are making until it is done. It has always lead to speculation and consternation of

10 years ago... Flying Object II, 2008 Acrylic/oil on fiberboard 20 x 40 cm / 7.87 x 15.75 in Details: Thanks for upvoting and commenting! www.gric.at

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Hello Steemians, today I'd like to share procces of an alla prima eye study I've done yesterday. The painting was made on Centurion linen panel, size is 5x7 inches As usual I start with the wash to kill

The finished artwork with its complete, commented progress report and a bunch of detail shots. The illustration was commissioned by a Techno-Club in Berlin for special events called "X:Ploration".

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Thanks for returning if you’ve already read Part 1, my ruined reflection on Mr Unpronounceable’s early years. If you haven’t read Part 1, you can find it here. In the last post, I talked about the origins