It is another lovely Monday, and to jumpstart your week, here are the latest leading publications of architecture and design from around the globe, highlighting incredible personal stories from Southeast Asia, South America, and the European continent. Feast on today's marvelous collection of Islamic, modern, and classical project styles that would definitely appeal to your discerning tastes. Have fun!
Welcome to Architecture Anthology™, the official Curated Content Catalog of Architecture+Design, your dedicated community on the Hive Blockchain covering digital content from various international locations about Architecture, Interior Design, Furniture Design, Urban Design, and Environmental Design.
To celebrate this week's report, we are truly thrilled to present to you EDITION 60 featuring our Top 3 publications:
1. An epic place of worship with exquisite grandeur from Indonesia 2. An outstanding skyscraper with modern features from Venezuela 3. A spectacular residence of remarkable classical design from Italy
Don't forget to also check out our "Runner-Up" entries for their remarkable contributions. Our heartfelt congratulations to all selected authors and their curated posts!
And one of the most striking things about this building is the green color of the dome, very dominant and it is very rare for mosques to be bright green like this, then this green color is in sharp contrast to the dominant cream color of the building with lots of carvings surrounding the pillars. - dome pillars.
The Sindoni Tower is the closest thing to a skyscraper I have seen, as I said, this city is small and even in Venezuela it is difficult to find structures of this size, in that sense I consider that we need to grow a lot. Maybe in the capital of the country, Caracas, we can see other structures of the same level, but in the rest of the national territory I really consider it difficult.
So we entered and marveled, first at the patio, and then inside a ceiling painted by one of the great Italian masters of painting of that time, Tiepolo (18th century more or less) and also as we go through it, because now it is a museum, we find delicate and wonderful pieces, from more paintings, engravings, curtains, furniture...
@maytom
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@titisnariyah
@belkyscabrera
@indipnash91
@mipiano
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@sobatkelana
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