In Circle Ruins, a short fiction story by Borges, surrealism becomes a literary gender. Treated in same disposition Guerrero overlaps images over concepts unscrupulously intertwining interior Cave-pictographic Neolithic representations with “El Bosco” huge big tablets across even figurative post-Modern Italian trans-Avant-garde (Francesco Clemento, Sandro Chia, Mimmo Paladino, Enzo Cucci). Singularly, artist place Hebrew words on top extremes of the canvas to invite art visitors interact with this art. Guerrero celebrates his birthdate as if it were the Vico cycles of existence.
