Madness is not a disease we normally understand, it is an attempt to solve the problem of human existence, but it was the right expression for Dali, who gave a grim insight into his existential crisis as he was doomed to follow the footsteps of another man whose mirror he became.
By the time he was seven years old when he thought that his brother had died, he developed a phobic reaction to the locusts. He symbolized the existence of his brother in the inner world with the grasshopper he was very afraid of, and in the following years he took part in this figure paintings.
They gave me the name of the savior and as a result of her mourning fantasy she called me how obscured the desire that I was chosen to save from the deadly threat of formal abstract art, from academic surrealism, dadaism and all kinds of anarchism, and how obsessive belief that she was destined to save the art of painting. we can see.
In his autobiographical book he describes the memories of childhood as inaccurate and real childhood memories in two parts. He mentions that the imitation looks more real, brighter; it is as if the unconscious fantasies are aware of the power of directing one's life.
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