• Observen mas de cerca los detalles, siempre he pensado que las lineas en el dibujo forman un papel fundamental, ya sean rectas, desordenada, gruesas o muy delgadas, por lo tanto, en mis composiciones de dibujo, trato en lo posible de jugar con cada una de ellas para lograr lo deseado, obtener el dominio de la perspectiva de la composición, como lo marca la realización del muelle, la cercanía del arbusto y el movimiento visual de la mismo, o la profundidad y suavidad del lejano cielo.

• Mientras voy avanzando en el dibujo, me voy relajando y pensando en cada uno de los colores que conforman las tierras, en los espacios húmedos, secos con sombras o iluminados por los rayos del sol, porque cada uno de ellos se manifiesta de diferentes maneras, por ejemplo, en las cercanías del río los marrones son oscuros y algunos violetas, con la intención de dar la sensación de estar húmedos, en las partes donde el suelo es mas seco y árido, lo trabaje con colores sepias y naranjas.

• En el horizonte levante la formación de un tepuy con mucha vegetación y un salto de agua, que nace del mismo y forman el inmenso río, el cual dibuje con colores entre verdes oscuros y grises oscuros, para que se observe un poco la profundidad del río, y con el acrílico blanco trace lineas que generaran el movimiento visual del agua, como lo muestran las imágenes.

• Intensificando el colorido de mi ilustración y agregando algunos detalles mas a la composición del paisaje imaginario que dio origen al dibujo:

HELLO!, HELLO! and HELLO!

Very good morning friends of Hive, Angélica García greets you, I hope you are very well and above all happy, it is a pleasure for me to bring you this new artistic publication, it is a new pencil drawing of color that I hope you like.

ENJOY IT.

Identification sheet of the work.

Title:The pier on the river.

Author: Angélica García.

Technique: Graphite pencil, watercolor, white acrylic and colored pencil, on cardboard.

Note: the sequence of photographs and images in this illustration were taken with the Canon digital camera, PowerShot A480, some details that were necessary to achieve what I wanted to present to you were made with the Adobe program Photoshop, and the slides were converted to jpg format with the Power Point program.

Dear friends, the procedure that you will see below is a drawing that I made of an imaginary nature, which has some touches in watercolor and white acrylic, without losing the essence of the drawing, I worked it as follows:

• Observe the three images of the initial process, which begins with preliminary lines of the sketch, made with graphite pencil, watercolor and colors, then I colored the sky with different blues, intensified the branches of the bush on the left side, and I worked on its foliage with short and disordered lines, of different greens and yellows.

• Look closer at the details, I have always thought that lines play a fundamental role in drawing, whether they are straight, messy, thick or very thin, therefore, in my drawing compositions, I try as much as possible to play with each of them to achieve what is desired, to obtain mastery of the perspective of the composition, as marked by the creation of the pier, the proximity of the bush and its visual movement, or the depth and softness of the distant sky.

• As I advance in the drawing, I relax and think about each of the colors that make up the lands, in the humid, dry spaces with shadows or illuminated by the sun's rays, because each one of them manifests itself in different ways. For example, in the vicinity of the river the browns are dark and some violet, with the intention of giving the sensation of being humid, in the parts where the soil is drier and more arid, I worked with sepia and orange colors.

• On the horizon rise the formation of a tepuy with a lot of vegetation and a waterfall, which is born from it and forms the immense river, which I drew with colors between dark greens and dark grays, so that the depth of the water can be observed a little. river, and with the white acrylic draw lines that will generate the visual movement of the water, as shown in the images.

• Intensifying the color of my illustration and adding some more details to the composition of the imaginary landscape that gave rise to the drawing:

The pier on the river.

Friends of Hive, I have always really liked to draw, and have always admired nature, for this reason I try as much as possible to manifest through my talent and knowledge, the beauty that I observe in the landscape that surrounds me, and I reinvent them following my creative interests in art.

Thank you very much for your kind attention.

Sincerely:

Angélica García.