All human creativity is revered and greatly appreciated, not because of the names that produce it, but because of the implications and implications of this creativity. The existence of creativity in all its forms: poetry, criticism, novel, theater, music, short story, plastic arts...etc, is evidence of vitality Society, its development, health and readiness for change in the most peaceful and civilized way.
It is not possible to imagine a society devoid of creativity. Even in the most primitive human gatherings, creativity appears through people’s daily lives, such as dances, music, and singing. Therefore, creativity flourishes evidence of societies’ ability to understand themselves, absorb the other, and their success in communicating with the apparent and the hidden in This universe, and here lies the wisdom and the philosophy of creativity, art and literature.
Creativity also shows the ability of man and societies to constantly produce new narratives, which may turn into immortal traces with time. On the temples of the Sumerians, Babylonians and the ancient Egyptians, and great cinema films such as the movie The Godfather, for example..
These are grand and immortal narratives, but they complement what exists in this world. This means that when we write a novel, paint, compose music, or present conscious theater, we practice an act of communication and understanding with others in a language that everyone understands without words sometimes, we do not need to be good The Spanish to understand Picasso’s paintings, the Italian to dismantle Da Vinci’s creativity, nor the German to enjoy Beethoven’s symphonies, just as Japanese and French people come to Fayrouz’s concerts to enjoy her voice and the Rahabna music!
Creativity in the terminology of philosophers has several meanings, the most important of which is the establishment of something from something, that is, the creation of something new from previously existing elements, as is the case in the arts and sciences. The idea of creativity, and accordingly, creativity arises in the mind of a person who has his own individuality and his distinctive personality with his innate and acquired abilities and preparations. If creativity is a procedure related to the personality of the individual, are the subjective conditions alone sufficient for the creative process to occur? In other words, if it is certain that psychological conditions affect the invention process. Is it possible to return this process to these conditions alone?
Creativity is due to the influence of psychological factors:
Freud analyzed the phenomenon of creativity, the place he saw that creativity is the end result of these pent-up needs in the unconscious world that favor to rush into an imaginary framework. Psychological contracts are frequently a component for excellence, success and distinction. In his view, innovative work is an expression of repressed needs that are performed via imagination, meaning that most of the factors of our imaginations gather in the subconscious, and the creative photo is saved in the mind and then emerges at once in the structure of inspiration, the place “Newton” says in this regard: And I continually put my search in mind, and wait till the first ray of light beckons me little by using little, so that it turns into a clear light. As Louis Pasteur says: “Luck Favors the Prepared Mind.”
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