Today is the 4th session of the Metadata series, and let me explain about Audio Metadata. Note that this article is talking about the basics of audio metadata, not a reference to professional audio technology.
Have you heard audio channels such as Stereo, Surround, and Mono? These terms show how many speakers can output audio in an audio file. Just they mean the number of sounds.
Stereo has two channels, allowing the left and right sounds to be distinguished for a moderate sense of space. In other words, if you use a headset or earphone, you can hear the sound from the left on the left and vice versa. You can also move the sound from left to right and right to left to make viewers recognize the direction of an object.
Rather than being called Surround, surround is usually referred to as the number of the output enable speakers, the channel of 5.1, 6, 7.1, 8, and has a larger number of sounds like a more expanded concept than stereo.
In the past, it was used to increase the immersion by dividing sounds into high-tone, mid-tone, and low-tone for rich sound effects of sending the sound that seems to be heard in the real scene to the viewer.
However, most creators knew it more useful to explain the area on the screen using the view of the near, middle, and distant than the variation of sound to give a sense of realism. Therefore, according to the intention of the producer, it is used to a more authentic sense of space by installing multiple speakers and giving your sound to convey space, mood, and feeling.
Unlike the concept of stereo or surround, Mono consists of only one channel, making all speakers produce the same sound regardless of whether one speaker or 100+ speakers are used. Mono is a fundamental system of audio channels and is the only channel that can be represented on all devices and speakers in the world.
Because you can hear the sound in the video even if the video you’re watching is rendered to support 8-channels of audio, and your speaker can represent only 1-channel.
Unfortunately, more channels never guarantee better sound quality. The audio channel is suitable for expressing the direction and the location of the sound. Literally, you can easily understand that the source of sound comes from the left, right, behind, above, or below.
In the video, a large number of audio channels were used to give viewers a deep contextual immersion, and advanced speaker technology was added to express even more detailed sound. That is why it is used a lot in games these days that need to be sensitive to sound. For example, there is a headset with 8.1-channel. This headset has four small speakers on the left and four on the right, helping you understand the source of sound in more detail.
When processing audio in a video, you may have seen numbers like 44.1 (44,100), 48 (48,000), or 96 (96,000). These are standards which are the most commonly used in audio sample rates.
Rather than describing the Sample Rate (Samplerate, Sample-Rate) in fragments, let me help you understand the concept of how audio is recorded and output. When transmitted, all sounds create a constant vibration. How many times per second, this vibration occurs called Frequency, and the unit is Hz. Therefore, it is called 1Hz when there is one vibration per second.
Because a continuous transmission process is required to transmit sound through this frequency, a signal delivery system called Analog created. However, here is a problem. Analog requires continuous delivery, but interference or jam from the outside would lead to unconditional data loss.
For example, when you want to listen to the radio, just finding and tuning in the frequency of the broadcaster. It is very convenient, but on the other hand, the agent often finds out the frequency of the two-way radio for wiretapping in the movie. In other words, anyone could easily intervene and interfere only by finding out frequency.
The advent of the era as computers gradually develop and the most data is processed using computers, the sound as analog signals were standardized into a simple using 1 or 0, enabling large amounts of information to be transmitted or received at once. The main point is made external interference difficult and reduces data loss. This is the so-called Digital signaling system.
This analog signal, called sound, goes through the process of being converted into a digital signal on a computer, which is called Sample or Sampling. In other words, the sample rate is the rate at which analog signals are converted to digital signals per second.
According to the Nyquist theory, which formulated the sampling process, when an analog signal is converted to a digital signal, the analog signal must be repeated two or more times before it can be converted into a digital signal without loss.
In other words, if all of the analogs is repeated twice at the same speed and converted to digital, the sound for 1 second will be converted to sound for 2 seconds. Therefore, analog must be repeated at a rate of twice or more in order to be converted to digital.
44,100 Hz or 44.1 kHz is the standard audio sample rate used in television broadcast systems. The International Media Association judged that the range of 20 to 20,000 Hz that is audible to the human ear, that is, 20,000 Hz, which is the limit of audible frequencies, should be more than double to reduce data loss according to the Nyquist theory. Thus, 44,100 Hz, including 4,100 Hz of reserve frequency, was defined as a standard and has been widely used so far.
However, since music has so much missing sound data when expressed with 44,100Hz, it is often necessary to use 48,000Hz or even 96,000Hz. In this digital age, therefore, many communities have proven that using 48,000Hz is the most effective sample rate to reduce distortion and loss when producing video or music, and this has become an implicit new rule.
Because if you forcibly convert the music made at 48,000Hz to a too low sample rate and insert it into the video, you will not be able to represent all the sounds of the original, resulting in losses. This is the main cause of the plosive sound like ticking.
Conversely, if you convert it to a too high sample rate and insert it into the video, you may experience more garbage data, that is, useless data between sound waves, causing the sound to be delayed or speeded up. And most of all, the file size is bigger, making it harder to share.
That is why when collaborating, video and music producers use 48,000Hz a lot, which is a satisfactory level. In addition, the AES (Audio Engineering Society) recommends using 48kHz.
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Today, even if not good enough, I tried to convey all the information I know easily. Thank you very much for reading this article, and next time I will explain about video bitrate. Thank you!
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