![Portada_From_Vol19.png](https://images.hive.blog/DQmQTkNq63YuA3wbQwbWb47E67qgTGfs9uhPrJKid1Nc2WL/Portada_From_Vol19.png) _{[**Source | _Fuente_**](https://www.freepik.com/free-photo/bald-man-playing-trumpet_27610488.htm#page=2&query=roses%20guitar%20collage&position=28&from_view=search&track=ais)}

Conceptual Music Art _{_Arte de la Música Conceptual_}

https://images.hive.blog/DQmPLbP5GC2Nc9UdvKiLpVepyLGdKmy72bB9ThXchRBrfXc/image.png _{[**Source | _Fuente_**](https://www.freepik.com/free-photo/bassist-performing-concert-double-color-exposure-effect_15667193.htm#query=musicians%20concept&position=25&from_view=search&track=ais)}

When we start in music we encounter basic and conventional systems, even simple compositional structures, with formulas and methods established by academia and the music industry. However, when we are involved within the same sonority, we become curious, a restlessness that allows us to investigate new musical perspectives, even in new creative musical worlds. To enter new universes of sound is to encounter panoramas that do not always go hand in hand with the academy, the industry and the commonplace of music. Many artists seek to expand through music from a singular interpretation of the existing musical bases, with forms and sound ideas not yet so developed. > _Cuando empezamos en la música nos encontramos con sistemas básicos y convencionales, incluso estructuras de composición sencilla, con fórmulas y métodos establecidos desde la academia y la industria musical. Sin embargo, cuando nos vemos envueltos dentro de una misma sonoridad, nos volvemos curiosos, inquietud que nos permite indagar en nuevas perspectivas musicales, incluso en nuevos mundos creativos musicales. Entrar a nuevos universos del sonido es encontrarse con panoramas que no siempre van de la mano con la academia, la industria y lo común de la música. Muchos artistas buscan expandirse a través de la música desde una interpretación singular de las bases musicales existentes, con formas e ideas sonoras aún no tan desarrolladas._
![image.png](https://images.hive.blog/DQmcSCdsMwVp6KciHZN79zzNDiSecVHavVtj2rEQPuswJs8/image.png) _{[**Source | _Fuente_**](https://www.freepik.com/free-photo/girl-showing-her-back-playing-violin_3552865.htm#page=2&query=musicians%20concept&position=33&from_view=search&track=ais)}

Talking about conceptual music today is not so strange thanks to many artists who have managed to spread their work on a large scale and to globalization, but, 20 years ago, without internet, sound exploration was highly complex, discovering new music was a strategy of each person, some resorted to libraries, others to record stores, cassette or record exchanges, VHS tapes recorded with MTV videos and the like. Within that exploration and discovery of new artists, many times we found ourselves with proposals that were difficult to understand at first listen, researching became a challenge. Today, any subject of information is different, it is within the reach of many, assimilating certain musical "complexities" is less complicated. > _Hablar de la música conceptual hoy día no esa algo tan extraño gracias a muchos artistas que han logrado difundir su trabajo a gran escala y a la globalización, pero, hace 20 años, sin internet, la exploración sonora era altamente compleja, descubrir nueva música era toda una estrategia de cada quien, algunos recurrían a las bibliotecas, otros a las discotiendas, intercambios de cassettes o discos, cintas de VHS grabadas con los videos de MTV y cosas por el estilo. Dentro de esa exploración y descubrimiento de nuevos artistas, muchas veces nos encontrábamos con propuestas poco entendibles a primera escucha, investigar se volvía un desafío. Hoy cualquier tema de información es distinta, está al alcance de muchos, asimilar ciertas "complejidades" musicales resulta menos complicado._ https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png _{_{🔸 A D V E R T I S E M E N T | P U B L I C I D A D
🔸}} [![Music.png](https://images.hive.blog/600x600/https://images.hive.blog/DQmXFZ4WJTi9m8E1aM93mTMeNe5pT6ePhduQ5BYM81HLsDx/Music.png)](https://peakd.com/@music-community) https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png

https://images.hive.blog/DQmcpQLkxqJcyNKDrU3AAy48DAdbBoD3RtJu87hGojpDx6M/image.png _{[**Source | _Fuente_**](https://www.freepik.com/free-photo/bassist-performing-concert-double-color-exposure-effect_15667193.htm#query=musicians%20concept&position=25&from_view=search&track=ais)}

To specify conceptual music by thinking of a specific example does not refer to the term with total accuracy, since the term "conceptual music" does not come by definition as a result of some specific rhythm or sonority, there is no such thing, rather, it refers to musical processes, basically to refer to works. Conceptual music exposes more towards the expressions that derive from the process of composition and the representation of thought regarding the musical work, and not to the theories and bases of music. The artists who rely on this idea to elaborate their works, the objective goes a little beyond music, it is rather, to show a reflective way of thinking through music. > _Precisar la música conceptual pensando en un ejemplo determinado no refiere al término con total exactitud, puesto que el término "música conceptual" no viene por definición a raíz de algún ritmo o sonoridad específica, no existe algo como tal, más bien, refiere a procesos musicales, básicamente para referirse a obras. La música conceptual expone más hacia las expresiones que derivan del proceso de composición y de la representación de pensamiento respecto a la obra musical, y no a las teorías y bases de la música. Los artistas que se apoyan en esta idea para elaborar sus obras, el objetivo va un poco más allá de la música, es más bien, mostrar un modo de pensamiento reflexivo a través de la música._
https://www.youtube.com/watch?v=HyHNuVaZJ-k https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png _{🔸 Vote Aliento | Vota por Aliento
🔸} [![Aliento_Witness.png](https://images.hive.blog/600x600/https://images.hive.blog/DQmPx5UoyAn8Fo19RHneDLrXVpRcrT7fwZWDKdVfqR81wkY/Aliento_Witness.png)](https://vote.hive.uno/@aliento) https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png

https://images.hive.blog/DQmPzxas37yMiC269tyEmyTWGDccqRBWow61mxAdQmMzfQc/image.png _{[**Source | _Fuente_**](https://www.freepik.com/free-photo/cute-young-woman-headphones-sings-into-microphone-dark-room_21556251.htm#query=canto%20moderno&position=16&from_view=search&track=ais)}

The model of the conceptual work involves three stages of communication in music: first we would have the work as such, with its forms, textures, sounds and aesthetics, then, it would be a means to communicate, the instruments to use and other elements to build the music, and finally, the reflection that leaves us the work in all its splendor. This is the basis of communication, sender, medium and receiver, extrapolating the scheme of music through a sound message. Many artists have done this in certain works: Bjork, Pink Floyd, Dave Bowie, Muse, Tool, Gorillaz, Residente, Madonna, Lana del Rey, Michael Jackson, among many others, the list is extensive (our readers can leave in the comments their favorite conceptual artists). > _El modelo de la obra conceptual conlleva tres etapas de comunicación en la música: primero tendríamos la obra como tal, con sus formas, texturas, sonidos y estética, luego, estaría medio para comunicar, los instrumentos a usar y demás elementos para construir la música, y finalmente, la reflexión que nos deja la obra en todo su esplendor. Esto es la base de la comunicación, emisor, medio y receptor, extrapolando el esquema de la música a través de un mensaje sonoro. Muchos artistas han hecho esto en determinadas obras: Bjork, Pink Floyd, Dave Bowie, Muse, Tool, Gorillaz, Residente, Madonna, Lana del Rey, Michael Jackson, entre tantos otros, la lista es extensa. (Nuestros lectores pueden dejar en los comentarios sus artistas conceptuales de su preferencia)._ ![image.png](https://images.hive.blog/DQmTwpquhyf9T4nyKfBBCTNPRr1UAXfzvo34mHFyCW1zYHL/image.png) _{[**Source | _Fuente_**](https://www.freepik.com/free-photo/musician-isolated-dark-studio-neon-light_14174253.htm#page=2&query=musicos%20moderna&position=9&from_view=search&track=ais)}

https://images.hive.blog/DQmbsvRyGbz3Lg9Pcv6FXXZouDkwtzS8BdrZU3hBYcifqCg/image.png _{[**Source | _Fuente_**](https://www.freepik.com/free-photo/cute-young-woman-headphones-sings-into-microphone-dark-room_21556251.htm#query=canto%20moderno&position=16&from_view=search&track=ais)}

With the passage of time, concept music is sharing a good space with modern music, it has taken a lot of strength and popularity. For many artists, their albums are complemented by a single base theme that shapes the overall composition. The conventional compositional process is disarticulated to work according to the communication codes of the message. It seems complex, but it is not so complex if we organize it. We can make a kind of mind map that helps us to focus on the subject we want to work on and draw out the different aspects of what we want to express with that specific subject. There are [different mind mapping applications](https://sociologiac.net/2008/09/02/11-aplicaciones-gratuitas-para-crear-mapas-mentales/) that can be useful to compose and break down the topic at all. Doing this kind of exercises helps us to let go a little of the conventional ways of working with music, expanding creativity and stimulating the brain to assimilate other perspectives. > _Con el paso del tiempo, la música conceptual está compartiendo un buen espacio con la música moderna, ha tomado mucha fuerza y popularidad. Para muchos artistas, sus discos lo complementan con un tema base único que le da forma a la composición general. El proceso compositivo convencional se desarticula para trabajar en función a los códigos de comunicación del mensaje. Parece algo complejo, pero no lo es tanto si lo organizamos. Podemos hacer una especie de mapa mental que nos ayude a centrar el tema que queremos trabajar y sacar las distintas vertientes de lo que queremos expresar con ese tema en específico. Existen [diferentes aplicaciones para hacer mapa mentales]( https://sociologiac.net/2008/09/02/11-aplicaciones-gratuitas-para-crear-mapas-mentales/) que pueden ser útiles para componer y desglosar el tema nada. Hacer este tipo de ejercicios nos ayuda a soltar un poco las formas convencionales de trabajar la música, expandiendo la creatividad y estimulando al cerebro a que asimile otras perspectivas._ https://www.youtube.com/watch?v=yvG3WPYAXHM ![image.png](https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png) _{_{🔸 A D V E R T I S E M E N T | P U B L I C I D A D
🔸}} [![PubliBotton_Stickupboys copy.png](https://images.hive.blog/600x600/https://images.hive.blog/DQmWBjPAyGJznS2FAgvFJvfTnmEPxQyBRqEKqT4mFjxr1jV/PubliBotton_Stickupboys%20copy.png)](https://linktr.ee/StickUpBoys) ![image.png](https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png)

A word from Jesús _{_Unas palabras de Jesús_}

https://images.hive.blog/45x45/https://images.hive.blog/DQmfTh9QosgnzsEUMgkHBcnr5j8tVYAWCmUSdKVgAa9usEr/@yisusth.png ^{Por: Jesús Tortolero | @yisusth}

![image.png](https://images.hive.blog/DQmNgjXzXtDCC4JjhfuwU8vqZmNms8JZ4XLKYUR68nrEEV4/image.png) _{[**Source | _Fuente_**](https://www.freepik.com/free-photo/flat-lay-music-background-with-acoustic-guitar-drum_28653196.htm#query=musica%20instrumentos&position=16&from_view=search&track=ais)}

Conceptual music is a type of music that is based on a central concept or idea. The concept can be anything from a story to a philosophical idea to a simple emotion. The music is then created to express this concept in a way that is sonically and conceptually coherent. We must ask ourselves what is the central idea or theme we want to explore in our music? Once we have a concept, we can begin to develop it further by brainstorming, writing notes or creating sketches. What instruments will you use? What kind of melodies and harmonies will you create? What will the rhythm be like? The way you choose to express your concept will have a big impact on the overall sound of your music. The smallest details can make a big difference in conceptual music. Lyrics, instrumentation, arrangements, and even artwork can all contribute to the overall concept. It is important to be consistent with the concept throughout our music. This means using the same themes, symbols and ideas in all your songs. This is a great opportunity to experiment with different sounds and ideas. Don't be afraid to try new things and see what works. > _La música conceptual es un tipo de música que se basa en un concepto o idea central. El concepto puede ser cualquier cosa, desde una historia hasta una idea filosófica o una simple emoción. Luego se crea la música para expresar este concepto de una manera que sea coherente desde el punto de vista sonoro y conceptual. Debemos preguntarnos ¿Cuál es la idea central o el tema que queremos explorar en nuestra música? Una vez que tenemos un concepto, podemos comenzar a desarrollarlo aún más con una lluvia de ideas, escribiendo notas o creando bocetos. ¿Qué instrumentos usarás? ¿Qué tipo de melodías y armonías crearás? ¿Cómo será el ritmo? La forma que elijas para expresar tu concepto tendrá un gran impacto en el sonido general de tu música. Los detalles más pequeños pueden marcar una gran diferencia en la música conceptual. Las letras, la instrumentación, los arreglos e incluso la obra de arte pueden contribuir al concepto general. Es importante ser consistente con el concepto a lo largo de nuestra música. Esto significa usar los mismos temas, símbolos e ideas en todas tus canciones. Esta es una gran oportunidad para experimentar con diferentes sonidos e ideas. No tengas miedo de probar cosas nuevas y ver qué funciona._ ![image.png](https://images.hive.blog/DQmU6qMsVExJsmH89XfV5cM4ge3PppfGyVRjW9pqb2VW1Yu/image.png) _{[**Source | _Fuente_**](https://www.freepik.com/free-photo/set-sheet-music-near-trumpet_2042201.htm#query=teoria%20musical%20partituras&position=23&from_view=search&track=ais)}

Conceptual music can use any type of musical scales and cadences. However, there are some scales and cadences that are more commonly used in conceptual music because they can create a sense of tension, release or other emotions that are often associated with conceptual music. Some of the most common scales used in conceptual music include: major scales used to create a feeling of optimism, happiness or hope, minor scales used to create a feeling of sadness, melancholy or introspection, pentatonic scales to create a feeling of simplicity, purity or innocence. > _La música conceptual puede utilizar cualquier tipo de escalas y cadencias musicales. Sin embargo, hay algunas escalas y cadencias que se usan más comúnmente en la música conceptual porque pueden crear una sensación de tensión, liberación u otras emociones que a menudo se asocian con la música conceptual. Algunas de las escalas más comunes utilizadas en la música conceptual incluyen: las escalas mayores usadas para crear una sensación de optimismo, felicidad o esperanza, las escalas menores que se usan para crear una sensación de tristeza, melancolía o introspección, las escalas pentatónicas para crear una sensación de simplicidad, pureza o inocencia._ https://www.youtube.com/watch?v=0RuAlyNclck

Modes are different variations of the major and minor scales. They can be used to create a variety of different moods and emotions. The most common cadences used in conceptual music include: A perfect cadence, a cadence that ends on a tonic chord. It is often used to create a sense of closure or resolution. An imperfect cadence which is a cadence that ends on a dominant chord. It is often used to create a sense of tension or anticipation. A half cadence is a cadence that ends on a dominant chord with a suspended fourth. It is often used to create a sense of incompleteness or ambiguity. A deceptive cadence is a cadence that ends on a chord other than the tonic chord. It is often used to create a sense of surprise or irony. The possibilities are endless, creativity has no limits when it comes to experimenting with different sounds and ideas. > _Los modos son diferentes variaciones de las escalas mayor y menor. Se pueden utilizar para crear una variedad de diferentes estados de ánimo y emociones. Las cadencias más comunes utilizadas en la música conceptual incluyen: Una cadencia perfecta, una cadencia que termina en un acorde de tónica. A menudo se utiliza para crear una sensación de cierre o resolución. Una cadencia imperfecta que es una cadencia que termina en un acorde dominante. A menudo se utiliza para crear una sensación de tensión o anticipación. Una media cadencia es una cadencia que termina en un acorde de dominante con una cuarta suspendida. A menudo se utiliza para crear una sensación de incompletitud o ambigüedad. Una cadencia engañosa es una cadencia que termina en un acorde diferente al acorde tónico. A menudo se usa para crear una sensación de sorpresa o ironía._
> _Las posibilidades son infinitas, la creatividad no tiene límites a la hora de experimentar con diferentes sonidos e ideas._ https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png ![Portada_Back_Vol19.png](https://files.peakd.com/file/peakd-hive/musiczone/23uQjvPJsm4WyipuoM6coPfYK49gvaJzyeLJY6qgCPDchNCpw6a8G71iWHGuY4tKPHu7i.png) https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png

Previous volumes Volúmenes anteriores

Issue 01 | Edición 01

|![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmW8LR6F2jAhjPuudTtvQz47m4an3EeRKUoPtnGUKaUKZR/image.png)|[Editorial -Vol. 01](https://hive.blog/hive-120026/@musiczone/magazine-zone-editorial-or-edicion-01-vol-01-eng-esp)| |-|-| |![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmUAqgZ5EGw7uW4wSH5FCVGGqLGYxRza7ZPpMwjL25xTiH/image.png)|[Interview with Jasper Dick - Vol. 02](https://hive.blog/hive-120026/@musiczone/magazine-zone-editorial-or-edition-01-vol-02-eng-esp)| |![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmW94vT6c8mGDAypdEx9MwXECMh9yAHXiknZGTrCjFDk62/image.png)|[The Musical Language Evolves - Vol. 03](https://hive.blog/hive-120026/@musiczone/magazine-zone-the-musical-language-evolves-or-issue-01-vol-03-eng-esp)|

Issue 02 | Edición 02

|![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmZofxmj7mYXWmwee4vKeZtRxLpBnwHz6wTGE2oufPqama/image.png)|[Women's Musical Props - Vol. 04](https://hive.blog/hive-120026/@musiczone/magazine-zone-womens-musical-props-or-issue-02-vol-04-eng-esp) | |-|-| |![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmNmGehiPin5AYNnahNrwT78f4QQTJ4ULfN1uQYfgKRLhP/image.png)|[Elements of music - Vol. 05](https://hive.blog/hive-120026/@musiczone/magazine-zone-elements-of-music-or-issue-02-vol-05-eng-esp)| |![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmQSsj2NmEsKdsQhM5f7qWkFtUptkPZUXZteHQdBP6mPbj/image.png)|[Digital Dialogue with Nahu Padilla - Vol. 06](https://hive.blog/hive-120026/@musiczone/magazine-zone-digital-dialogue-with-nahu-padilla-or-issue-02-vol-06-eng-esp) |

Issue 03 | Edición 03

|![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmfZx98NTCURnNuANYqU9yE7szdfL4CBPzjTNm5TCGEo2p/image.png)|[Musical Performance - Vol. 07](https://hive.blog/hive/@musiczone/magazine-zone-musical-performance-or-issue-03-vol-07-eng-esp)| |-|-| |![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmWtgEsTUFXhuNj5pK1r65g5LJMgyNnF5Fg24EtELCW6cD/image.png)|[Musical melody - Vol. 08](https://hive.blog/hive/@musiczone/magazine-zone-musical-melody-or-issue-03-vol-08-eng-esp)| |![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmYmxNqzv4mqyvK21sWeYoZyouF5hHThVE6xFr9zxayiaa/image.png)|[Musical Rhythm - Vol. 09](https://hive.blog/hive-120026/@musiczone/magazine-zone-musical-rhythm-or-issue-03-vol-09-eng-esp)|

Issue 04 | Edición 04

|![Screen Shot 2023-05-18 at 8.43.34 PM.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmRXVXuzZsdBiSNd8wM3Dq9wDqJ3xiayRWQfKwhcK47ND3/Screen%20Shot%202023-05-18%20at%208.43.34%20PM.png) |[Musical Harmony - Vol. 10](https://hive.blog/hive-120026/@musiczone/magazine-zone-musical-harmony-or-issue-04-vol-10-eng-esp)| |-|-| |![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmZGsZd3vZCTzXcQV9cKBjmJnCech3FP5SWvSavS7j2uG7/image.png)|[Musical Branding - Vol. 11](https://hive.blog/hive-120026/@musiczone/magazine-zone-musical-branding-or-issue-04-vol-11-eng-esp)| |![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmUGJtziyWj7RSNg2J6C1KZNM8Pi6EZ7MocXc34oNEPwKv/image.png)|[Visual Identity for Musicians - Vol. 12](https://hive.blog/hive-120026/@musiczone/magazine-zone-visual-identity-for-musicians-oror-issue-04-vol-12-eng-esp) |

Issue 05 | Edición 05

|![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmdaQSa6ZTUkaEuK19SdGSsY4EkKBtyxfMcXFZBt9TQ1nZ/image.png)|[For Practice Visual & Musical - Shakira "Acróstico" - Vol. 13](https://hive.blog/hive-120026/@musiczone/magazine-zone-for-practice-visual-and-musical-oror-issue-05-vol-13-eng-esp)| |-|-| |https://images.hive.blog/150x150/https://files.peakd.com/file/peakd-hive/yisusth/23yTj8md4kKxQPFEegV6buqmvMDcDR6rYqbeKJLrCbitiJKkP1EN8AUuiG6JdypDohbYx.png|[Performance in House - Vol. 14](https://peakd.com/hive-120026/@musiczone/magazine-zone-performance-in-house-oror-issue-05-vol-14-eng-esp)| |https://images.hive.blog/150x150/https://files.peakd.com/file/peakd-hive/yisusth/23vi2596qqmmf6nnmpF4dUfpfri9uuEnNxnujVeyZRc7QKZmVY3kyJXJkrr8dkS5w9Azi.png|[Social Impact of Music - Vol. 15](https://peakd.com/hive-120026/@musiczone/magazine-zone-social-impact-of-music-oror-issue-05-vol-15-eng-esp)

Issue 06 | Edición 06

|https://images.hive.blog/150x150/https://images.hive.blog/DQmX2ppCXfv5cvCMjkGEwx98Y6qGDVTnf3oxqjsQfmEh8yA/image.png | [The Essence of Tuning](https://hive.blog/hive-120026/@musiczone/magazine-zone-the-essence-of-tuning-oror-issue-06-vol-16-eng-esp) |-|-| |https://images.hive.blog/150x150/https://images.hive.blog/DQmYpePG8GkMNWQVVFPLqwcdd77NCz3Gn2Vidj3dkv4xYwm/Portada_From_Vol17.png | [Singing - Vocal Preparation](https://hive.blog/hive-120026/@musiczone/magazine-zone-singing-vocal-preparation-oror-issue-06-vol-17-eng-esp) ![image.png](https://images.hive.blog/150x150/https://images.hive.blog/DQmTTMcojEsuUXzShuBTWB1bnAUtEoZZgfYxkCFkj7LE14X/image.png) | [Sing Your Heart Out](https://hive.blog/hive-120026/@musiczone/magazine-zone-sing-your-heart-out-oror-issue-06-vol-18-eng-esp)
![image.png](https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png) _{🔸 Visit Our Community | _Visita Nuestra Comunidad_
🔸} [![PubliMusicZone.png](https://images.hive.blog/600x600/https://images.hive.blog/DQmYSN4mwzNhs1DkHGwXcnT8MPwmoNXKa2mfQ7NL9Z9rcCz/PubliMusicZone.png)](https://peakd.com/c/hive-120026/created)
![image.png](https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png)

Delega en la cuenta @musiczone, y ayuda a recompensar a los autores con un mayor voto. Aquí algunos enlaces para delegar usando Hivesigner > _Delegate to the @musiczone account, and help reward authors with a higher vote. Here are some links to delegate using Hivesigner_ | [50 HP](https://hivesigner.com/sign/delegateVestingShares?delegator=&delegatee=musiczone&vesting_shares=50%20HP) | [100 HP](https://hivesigner.com/sign/delegateVestingShares?delegator=&delegatee=musiczone&vesting_shares=100%20HP) | [500 HP](https://hivesigner.com/sign/delegateVestingShares?delegator=&delegatee=musiczone&vesting_shares=500%20HP) | [1000 HP](https://hivesigner.com/sign/delegateVestingShares?delegator=&delegatee=musiczone&vesting_shares=1000%20HP) | [5000 HP](https://hivesigner.com/sign/delegateVestingShares?delegator=&delegatee=musiczone&vesting_shares=5000%20HP) | ![image.png](https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png) We invite you! | _Te invitamos_ [![image.png](https://images.hive.blog/75x75/https://images.hive.blog/DQmZUR7JZTxqqJDsv6oDZxo1GkJoH5NHnCRjn85QA15CamC/image.png)](https://t.me/+__m8eOVyONplZDkx) [![image.png](https://images.hive.blog/75x75/https://images.hive.blog/DQmWEc5And128JiaA2MPd3fAW1ezgN5u8iLbiuZUuAQzaAf/image.png)](https://discord.gg/9UfeQfE) [![image.png](https://images.hive.blog/75x75/https://images.hive.blog/DQmXH6UYfK5omekDcV3E72HLs5vH5yLvki1obbng121YCD3/image.png)](https://twitter.com/hivemusiczone)
![image.png](https://images.hive.blog/DQmWVo6DgEfCAYfmkbo2xqSb9qrEdr3qRww4qeKfz8U4K6T/image.png)

Conceptual Music Art _Arte de la Música Conceptual_

A word from Jesús _Unas palabras de Jesús_

Pemandangan Alam Aceh Tengah