Spending some time in a retirement community visiting my mother. There's some morning time to work on my free art, but not much space, so I make 4x6 cards and little 16-page booklets that I learned how

Waterlogged Stick Figure 2026. Oil on paper, 18 x 24" ( Start Off With This Beechnut Pink and Finish With a Sad Day Blue 2026. Oil on paper, 18 x 24" I Nominate Emma to be the Official Historian

I still need to play around with it a bit, especially the cover, but you can look to get the gist. Thank you!

Another Thursday Podcast, an ocean apart for art! • Ron loses the first minute of footage because he was eager with the mouse and cut it accidentally. He was clapping “Hello!’ and Emma was waving saying

She to My Heart 2018. Acrylic on canvas, 36 x 48" But no, it’s also an NFT! Yes, lucky you. I was able to add more to my gallery, after almost giving up. I uploaded a few yesterday, and I made this

Guileless Fish Walking On Water 2026. Oil on paper, 18 x 24" I told myself I would make 100 of these and then go back to acrylic on loose canvas. Well, I’m not quite ready to shelve the oils. I’m

Minimalist Forest Fire 2026. Oil on paper, 18 x 24" Here are some paintings from the tail end of last week. Hope you like! Six 2026. Oil on paper, 18 x 24" This Morning I Thought On Ways to

Here is a rough rundown of the podcast: • Edgeworth calls me up on What’s App, and we begin the podcast. • Edgeworth and Emma ask about the Rose and the Amateurs Nature Center gig last week. He tells them

The Blue Tape Lost It’s Stick 2026 Oil on paper 18 x 24" Thinking of my limited studio space now and in the future, I am nearly certain that I will never stretch canvas again unless I can find a larger

Titles Left to Right: Me, Our Movie, The Camden Market Free Art Man, and Walls Please! 2026. Oil on canvas board, (4) 10 x 10" My friend Mike and I have a tradition every summer to take a couple long

Secret Lair of the Submerging Artist 2026. Oil on paper, 18 x 24" Last night Rose and I went out to dinner with friends after playing a non-paid gig at a local nature center. We ran into a friend

I Just Want to Thank You For Looking at My Paintings. This Connection is an Amazing Power That I Do Not Take For Granted. It Just Means So Much That You Offer to Look 2026. Oil on paper, 18 x 24"

In the Past Year I Have Made Significant Strides as an Artist, and I Think it's Mainly Because I No Longer Care If I Suck 2026. Oil on paper, 18 x 24" Got back into painting this morning after a fine

Emma, Edgeworth, and Ron after out first Farangers podcast. Last April I visited Muswell Hill, UK to work with @jompiy, Emma Pugmire, Charles Thomson, and Don Guy. Painting, pastels, music, recording,

Edgeworth Johnstone (AKA: @jompiy) has MAGA, “Make Art Great Again”, finish the manifesto on anarchyforart.com. I did MAFA. MAFA like we’re in a cave.

• Emma starts us off talking about a Grayson Perry interview, and I learn who Grayson Perry is. • Getting married to a robot. • A Japanese game where you get a ring and score points for marrying your A.I.

Drowning Pirate 2026. Oil on paper 18 x 24" This painting was something completely different at 2:15 p.m. At 2:28 it became this. You can watch the process of something better becoming out of something

The Many Indifferent and Beautiful Eyes of the City 2018. Acrylic on canvas, 20 x 16" I just sent to market my first NFT that actually worked. I attempted this once before a couple years ago at a

Anarchy For Art Dot Com 2026. Oil on paper, 18 x 24" (1 of 10) I got up a couple hours before dawn to work on this series of paintings honoring the new manifesto by @jompiy, Anarchy For Art, and can

Who Wakes Up Painting an Irish Wheelchair and Nuclear Fallout? 2026. Oil on paper, 18 x 24" The pendulum has swung to the other side of good spring energy, to the opposite of the fortnight high I