The Blue Tape Lost It’s Stick 2026 Oil on paper 18 x 24" Thinking of my limited studio space now and in the future, I am nearly certain that I will never stretch canvas again unless I can find a larger

Titles Left to Right: Me, Our Movie, The Camden Market Free Art Man, and Walls Please! 2026. Oil on canvas board, (4) 10 x 10" My friend Mike and I have a tradition every summer to take a couple long

Secret Lair of the Submerging Artist 2026. Oil on paper, 18 x 24" Last night Rose and I went out to dinner with friends after playing a non-paid gig at a local nature center. We ran into a friend

I Just Want to Thank You For Looking at My Paintings. This Connection is an Amazing Power That I Do Not Take For Granted. It Just Means So Much That You Offer to Look 2026. Oil on paper, 18 x 24"

In the Past Year I Have Made Significant Strides as an Artist, and I Think it's Mainly Because I No Longer Care If I Suck 2026. Oil on paper, 18 x 24" Got back into painting this morning after a fine

Emma, Edgeworth, and Ron after out first Farangers podcast. Last April I visited Muswell Hill, UK to work with @jompiy, Emma Pugmire, Charles Thomson, and Don Guy. Painting, pastels, music, recording,

Edgeworth Johnstone (AKA: @jompiy) has MAGA, “Make Art Great Again”, finish the manifesto on anarchyforart.com. I did MAFA. MAFA like we’re in a cave.

• Emma starts us off talking about a Grayson Perry interview, and I learn who Grayson Perry is. • Getting married to a robot. • A Japanese game where you get a ring and score points for marrying your A.I.

Drowning Pirate 2026. Oil on paper 18 x 24" This painting was something completely different at 2:15 p.m. At 2:28 it became this. You can watch the process of something better becoming out of something

The Many Indifferent and Beautiful Eyes of the City 2018. Acrylic on canvas, 20 x 16" I just sent to market my first NFT that actually worked. I attempted this once before a couple years ago at a

Anarchy For Art Dot Com 2026. Oil on paper, 18 x 24" (1 of 10) I got up a couple hours before dawn to work on this series of paintings honoring the new manifesto by @jompiy, Anarchy For Art, and can

Who Wakes Up Painting an Irish Wheelchair and Nuclear Fallout? 2026. Oil on paper, 18 x 24" The pendulum has swung to the other side of good spring energy, to the opposite of the fortnight high I

This Is Where I Draw the Line 2026. Oil on paper, 18 x 24" I read a quote in my chair right before painting this one (I paraphrase): The drawing of a person is obviously not a person. The drawing

Here I am this morning reading my essay “How to Price a Painting” published in The Pleasure at Being the Cause. There is a fair way to price work for those interested in making art pay. I am a Free Art

Fred and Linda Meet in a Cruel Galaxy 2026. Oil and acrylic on canvas, 64 x 64" We did it! The greatest couple painters on a street in any universe. Six wonderful master and missus pieces about space,

In our Black Ivory podcast, Edgeworth @jompiy lightly admonished me for not taking enough video of my changing studio. I get it, and from now on, will do walk throughs more regularly. Here it is on Thursday,

Clear sound and video. This is a good one. Black Ivory id @jompiy (Edgeworth Johnstone), Emma Pugmire, and me. Some things we talked about: • Rice, fish and spinach! • KlingEx Crypto trading site, a place

This! 2026. Oil on paper, 18 x 24" Some more paintings keeping me grounded in explosive spring. Tomorrow I’ll finish the big piece upstairs. During break time, I met a new next door neighbor. I was

A Left-handed Breeze Painting the Wind Right-handed 2026. Oil on paper, 18 x 24" I am enjoying the routine of these paintings. Strong 18 x 24" paper. I’ll do a couple hundred before long. I mentioned

If You Have Money to Burn, I Have a Match 2026. Oil on paper, 18 x 24" The last four oils of the week before I take a break and work with Rose to finish our last large painting together. Crazy days