It is quite rare, probably even the first time, that I convey a snowstorm through architectural subjects rather than through street photography. A spring snowfall after complete snowmelt, also manifested itself at night.
After disconnecting from the reportage wave, street photography moved to the second or third positions after landscape and night photography.
Even if there is a certain amount of reportage in these night scenes - a weather manifestation in the form of a snowstorm, then the message does not seem to be news at all.
The metaphysics of photography is enveloping me more and more and dragging me into the abyss.
However, this does not mean that there will be something unusual or sensual in all the shots now...It takes time and space.
Anyway, we "have to" document and show the daily life of the city and the spring manifestations.
Perhaps there is some metaphysics in this too...photographing the same thing every year, finding the difference in nature's manifestations and the difference in one's own growth (or stagnation).
I am glad that with the cyclicity of the plot and the repetition of myself, I still find a lot of new things.
And this is with the increasing complexity of scene search exponentially!
