[i]PLAYS
ACTING AND MUSIC
A BOOK OF THEORY
BY
ARTHUR SYMONS
PREFACE
CONTENTS
INTRODUCTION
PLAYS AND ACTING
DRAMA
MUSIC
INTRODUCTION
AN APOLOGY FOR PUPPETS
PLAYS AND ACTING
NIETZSCHE ON TRAGEDY
SARAH BERNHARDT
COQUELIN AND MOLIÈRE: SOME ASPECTS
RÉJANE
YVETTE GUILBERT
I
II
SIR HENRY IRVING
DUSE IN SOME OF HER PARTS
I
II
III
IV
V
VI
ANNOTATIONS BY THE WAY
I. "PELLÉAS AND MÉLISANDE"
II. "EVERYMAN"
III. "FAUST" AT THE LYCEUM
IV. THE JAPANESE PLAYERS
V. THE PARIS MUSIC-HALL
M. CAPUS IN ENGLAND
A DOUBLE ENIGMA
DRAMA
PROFESSIONAL AND UNPROFESSIONAL
TOLSTOI AND OTHERS
SOME PROBLEM PLAYS
I. "THE MARRYING OF ANN LEETE"
II. "THE LADY FROM THE SEA"
III. "THE NEW IDOL"
IV. "MRS. WARREN'S PROFESSION"
"MONNA, VANNA"
THE QUESTION OF CENSORSHIP.
A PLAY AND THE PUBLIC
THE TEST OF THE ACTOR
THE PRICE OF REALISM
ON CROSSING STAGE TO RIGHT
THE SPEAKING OF VERSE
GREAT ACTING IN ENGLISH
A THEORY OF THE STAGE
THE SICILIAN ACTORS
I
II
MUSIC
ON WRITING ABOUT MUSIC
TECHNIQUE AND THE ARTIST
PACHMANN AND THE PIANO
I
II
III
PADEREWSKI
A REFLECTION AT A DOLMETSCH CONCERT
THE DRAMATISATION OF SONG
THE MEININGEN ORCHESTRA
MOZART IN THE MIRABELL-GARTEN
NOTES ON WAGNER AT BAYREUTH
I. BAYREUTH AND MUNICH
II. THE LESSON OF PARSIFAL
III. THE ART OF WAGNER
CONCLUSION
A PARADOX ON ART
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