The German Classics of the Nineteenth and Twentieth Centuries, Volume 03

The German Classics of the Nineteenth and Twentieth Centuries, Volume 03

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    VOLUME III
    THE GERMAN CLASSICS
    IN TWENTY VOLUMES
    THE GERMAN PUBLICATION SOCIETY NEW YORK
    CONTENTS OF VOLUME III
    POEMS[1]
    DRAMAS
    HISTORY AND LITERATURE
    ILLUSTRATIONS—VOLUME III
    THE LIFE OF SCHILLER
    POEMS
    THE VEILED IMAGE AT SAÏS (1795)
    THE IDEAL AND THE ACTUAL LIFE (1795)
    GENIUS (1795)
    VOTIVE TABLETS
    MOTTO TO THE VOTIVE TABLETS.
    THE GOOD AND THE BEAUTIFUL
    VALUE AND WORTH
    THE KEY
    THE DIVISION OF RANKS
    TO THE MYSTIC
    WISDOM AND PRUDENCE
    THE UNANIMITY
    THE SCIENCE OF POLITICS
    TO ASTRONOMERS
    THE BEST GOVERNED STATE
    MY BELIEF
    FRIEND AND FOE
    LIGHT AND COLOR
    FORUM OF WOMEN
    GENIUS
    THE IMITATOR
    CORRECTNESS
    THE MASTER
    EXPECTATION AND FULFILLMENT
    THE PROSELYTE MAKER
    THE CONNECTING MEDIUM
    THE MORAL POET
    THE SUBLIME THEME
    SCIENCE
    KANT AND HIS COMMENTATORS
    THE MAIDEN FROM AFAR (1796)
    THE GLOVE (1797)
    THE CRANES OF IBYCUS (1797)
    THE WORDS OF BELIEF (1797)
    THE WORDS OF ERROR (1799)
    THE GERMAN ART (1800)
    COMMENCEMENT OF THE NEW CENTURY (1801)
    CASSANDRA (1802)
    RUDOLPH OF HAPSBURG (1803)
    DRAMAS
    INTRODUCTION TO WALLENSTEIN'S DEATH
    THE DEATH OF WALLENSTEIN
    DRAMATIS PERSONÆ
    THE DEATH OF WALLENSTEIN (1800)[23]
    ACT I
    SCENE I
    SCENE II
    WALLENSTEIN. COUNT TERZKY
    SCENE III
    SCENE IV.
    SCENE V
    SCENE VI
    SCENE VII
    ACT II
    SCENE I
    SCENE II
    SCENE III
    WALLENSTEIN, TERZKY
    SCENE IV
    SCENE V
    SCENE VI
    SCENE VII
    ACT III
    SCENE I
    SCENE II
    SCENE III
    DUCHESS.
    SCENE IV
    WALLENST.
    SCENE V
    SCENE VI
    SCENE VII
    SCENE VIII
    SCENE IX
    COUNTESS.
    SCENE X
    SCENE XI
    SCENE XII
    COUNTESS, DUCHESS, THEKLA
    SCENE XIII
    SCENE XIV
    WALLENSTEIN, ILLO, TERZKY
    SCENE XV
    SCENE XVI
    SCENE XVII
    SCENE XVIII
    SCENE XIX
    SCENE XX
    TERZKY.
    SCENE XXI
    SCENE XXII
    SCENE XXIII
    ACT IV
    SCENE I
    SCENE II
    SCENE III
    SCENE IV
    SCENE V
    SCENE VI
    SCENE VII
    SCENE VIII
    SCENE IX
    SCENE X
    SCENE XI
    THEKLA, LADY NEUBRUNN
    SCENE XII
    THEKLA.
    SCENE XIII
    SCENE XIV
    ACT V
    SCENE I
    SCENE II
    SCENE III
    SCENE IV
    WALLENSTEIN, GORDON
    SCENE V
    SCENE VI
    SCENE VII
    SCENE VIII
    SCENE IX
    COUNTESS, GORDON
    SCENE X
    SCENE XI
    INTRODUCTION TO WILLIAM TELL
    WILLIAM TELL
    DRAMATIS PERSONÆ
    WILLIAM TELL (1804)[36]
    ACT I
    SCENE II
    SCENE III
    SCENE IV
    ACT II
    SCENE I
    RUDENZ.
    SCENE II
    ACT III
    SCENE I
    SCENE II
    FRIESS.
    ACT IV
    SCENE I
    SCENE II
    SCENE III
    ACT V
    SCENE II
    SCENE III
    THE HOMAGE OF THE ARTS
    A MASQUE
    A FATHER. A MOTHER. A YOUTH. A MAIDEN. CHORUS OF COUNTRY PEOPLE. GENIUS. THE SEVEN ARTS.
    THE HOMAGE OF THE ARTS (1804)
    THE FATHER
    HISTORY AND LITERATURE
    ON THE USE OF THE CHORUS IN TRAGEDY (1803)[63]
    SCHILLER-GOETHE CORRESPONDENCE[64]
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